한국영화에서 보이스오버 내레이션의 논평과 목소리 = 1963~4년 작품을 중심으로

다국어 초록 (Multilingual Abstract)

This essay tries to find out how the commentaries and the voices of voice-over narrations in Korean films from 1963 to 1964 have an influence on the interpretation and the attitude of audience. It can be one of the works which try to find out the characteristics of 1960s' Korean films and the essence of film narrative.
Three films are analysed in this essay; The Power for Ten Years (Simnyeonsedo)(1964), The Apron (Haengjuchima)(1964), and Romance Grey(1963). According to the analysis of these films, Korean films from 1963 to 1964 adjusted their voice-over narrations to the characteristics of their genres and the need of the plots (or sub-plots).
In The Power for Ten Years, one of historical films, the voice-over narration by an invisible authoritative narrator gives its audience some clues about its hero and lead the sympathy with specific characters which is demanded by plot(sub-plot) through the commentaries on those characters.
In The Apron, one of melodramas, the heroine is established as the voice-over narrator, and it can give a special subjectivity and intimacy with the heroine to the audience. As well, the audience is led to the identification with the heroine by changes of the tense and telling(from confession to interior monologue).
In Romance Grey, one of satirical drama about ordinary people, the attitude of the audience toward the hero is affected by subtle irony in its voice-over narration and the changing the voice from male's to female's.
It may be hard to assert that the voice-over narrations of 1960s' Korean films are superior to those of Sunset Boulevard(1950), All about Eve(1950), or Jules et Jim(1962), but this essay can prove that Korean films, at least the films from 1963 to 1964, knew the ways to influence the audience's interpretation and the attitude toward the characters by using voice-over narrational commentary and changing the voice of voice-over narration when the genre or the plot(sub-plot) needed.

목차 (Table of Contents)

• 1. 들어가는 말
• 2. 문학의 논평과 영화의 보이스오버 내레이션
• 3. 보이스오버 내레이션이 창출하는 기대감과 친밀감 : 〈서울의 지붕밑〉
• 4. 1963~4년에 제작된 한국영화에서의 보이스오버 내레이션
• 5. 맺음말
• 참고 문헌
• Abstract

참고문헌 (Reference)

1 "｢논평이란 무엇인가" 한국서사학회 (6) : 2002.

2 "할리우드 장르의 구조" 한나래 1996.

3 "이야기와 談論 영화와 소설의 서사구조" 1991.

4 "오즈 야스지로의 영화세계" 현대미학사 1995

5 "시나리오 쓰기의 실제" 1992.

6 "소품으로 본 한국영화사 근대의 풍경" 도서출판 소도 2001.

7 "서사 혹은 논평 시점과 메타-서사｣" 한국서사학회 (6) : 2002.

8 "보이스오버의 유형과 1960년 전후의 한국영화 구봉서의 벼락부자 를 중심으로｣" 한국영화학회 (24) : 2004.

9 "小說의 修辭學" 한신문화사 1990.

10 "“From Showing to Telling Off-screen Narration in the American Cinema”" 3 : 1982.

11 "Voice-Over Narration in American Fiction Film University of California Press" 1988.

12 "Storytelling Situations in Cinema History" The Johns Hopkins University Press 1992.