In the 30th edition of 〈Chunhyangjeon〉, Chunhyang is conventionally presented as a woman who tries to protect her chastity and it eventually bears the fruits of her love. On the other hand in 〈Seongchunhyang〉, Chunhyang is reinterpreted as a w...
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https://www.riss.kr/link?id=A107125268
2020
Korean
691
KCI등재
학술저널
227-237(11쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
In the 30th edition of 〈Chunhyangjeon〉, Chunhyang is conventionally presented as a woman who tries to protect her chastity and it eventually bears the fruits of her love. On the other hand in 〈Seongchunhyang〉, Chunhyang is reinterpreted as a w...
In the 30th edition of 〈Chunhyangjeon〉, Chunhyang is conventionally presented as a woman who tries to protect her chastity and it eventually bears the fruits of her love. On the other hand in 〈Seongchunhyang〉, Chunhyang is reinterpreted as a woman who strives to protect feminist self-consciousness and beliefs, even in unreasonable social situations.
By comparing the two different works, we can see differences in the behavior of the characters in how to overcome various obstacles, such as irregularity, gender discrimination, and identity conflict. By reinterpreting the emotions of the characters in the classic novel into the emotions of the modern characters, we can see the how the characters grow when trying to overcome the situation and find a solution, even though there is no change yet. This can be seen as the emotions of the characters become different as time goes by.
As the times go by, the world’s values and inclinations also change, and the irrationalities of the world will also go in various directions. Through the fusion of culture into history, even though it’s irrational but we become familiar with it and will clearly understand the absurdities, and we can look forward to changes in the process.
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