歌詞 처사가와 양양가의 史的 考察

다국어 초록 (Multilingual Abstract)

With the interest on the historical change of 12 Gasa(歌詞), I have made researches into Gilgunak, Chunmyeongok(春眠曲), Gwonjuga(勸酒歌), and Hwangjusa(黃鷄詞). In this article, I focused on the historical aspects of Cheosaga(處士歌) and Yanaga(襄陽歌). The summary of this article follows; First, current Cheosaga and Yangyangga are the same songs with different words. Second, Cheosaga recorded in [Geumbo琴譜] has no relationship with current Cheosaga. Instead it is similar to Sangsabyeolgok(相思別曲) in [Geumbo琴譜]. Current Cheosaga is different from current Sangsabyeolgok, but same as Yangyangga. From this, it is possible to presume that Cheosaga in [Geumbo琴譜] was falsely recorded or adapted the melody of current Yangyangga instead of its own melody. Third, Yangyangga in [Ayangguembo峨洋琴譜] is the record of the melody sung by women. It is similar to current Yangyangga. But, the ending part of the 7th line of Yangyangga in [Ayangguembo峨洋琴譜] differs from the same part of current Yangyangga. Forth, many kinds of books were published in 1910s which included Cheosaga and Yangyangga. Cheosaga was more popular than Yangyangga in public. In conclusion, current Cheosaga and Yangyangga hold the same melody in common, and the melody had related with the melody of Yangyangga in [Ayangguembo峨洋琴譜].

목차 (Table of Contents)

• Ⅰ. 머리말
• Ⅱ. 현행 처사가와 양양가의 비교 분석
• Ⅲ. 고악보의 처사가와 양양가
• Ⅳ. 고문헌에 수록된 처사가와 양양가
• Ⅴ. 결론
• 〈참고문헌〉
• Abstract