軍樂의 調 - 피리의 선율을 중심으로

다국어 초록 (Multilingual Abstract)

I supposed a scale among the notes of the Kunak. I chosen notes of the scale then examined the function of each note. The key of the Kunak is different the first and second line of the Kunak, which is called Doljang, from the rest of the Kunak. The key of the former is a Whangjonggung-Pyoungjo. The key of the latter isa Yeemjonggung-Pyoungjo. The key of the Kunak was known as a Whangjonggung-Pyoungjo, a Yeemjonggung-Pyoungjo. It means not the Key of the Kunak is a Whangjonggung-Pyoungjo, or a Yeemjonggung-Pyoungjo but the Key of the Kunak's first and second line is a Whangjonggung-Pyoungjo, and the rest of the Kunak is a Yeemjonggung-Pyoungjo. The treatise, "the relationship Kunak-Taryoung of Youyegee and current Kunak" was published in 1962. The paper was written that the Key of the Kunak was Taejoogung-Pyoungjo. The key of the Kunak has been known as Taejoogung-Pyoungjo since 1962. Now I have found a conclusion that the Key of the Kunak The key of the Kunak is different the first and second line of the Kunak ,which is called Doljang, from the rest of the Kunak. The key of the former is a Whangjonggung-Pyoungjo. The key of the latter is a Yeemjonggung-Pyoungjo.

목차 (Table of Contents)

• Ⅰ. 머리말
• Ⅱ. 초창의 제1각과 제2각의 출현음들의 기능
• Ⅲ. 초장 제1각과 제2각의 출현음과 조의 구성음
• Ⅳ. 초장 제3각 이하의 출현음들의 기능
• Ⅴ. 초창 제3각 이하의 출현음과 조의 구성음
• Ⅵ. 맺는말
• 〈참고악보〉
• 〈참고문헌〉
• Abstract