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      동부민요의 음악적 특징 연구 - 함경도민요의 분석을 통한 메나리 토리의 특징론 접근을 중심으로

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      https://www.riss.kr/link?id=A103636321

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      다국어 초록 (Multilingual Abstract)

      In this treatise, in order to derive the feature of Korean Eastern folksong, I tried to search the musical characteristics by comparing the existing researches related to the folksong of Kyungsangdo, Kangwondo and Hamkyungdo, with thirty-four pieces of Hamkyungdo labor song(work song) recorded in two folksong book of 「JO-SEON MINYO BACGOKJIB」 and 「JO-SEON MINJOKEUMAK JEONJIB」. The researching result mentioned the above is as follows. 〈Musical Features in Hamkyeongdo Folksong〉 1. In short, there are Menaritory, Kyeongseotory and extraneous musical factor are mixed in Hamkyeongdo folksong(labor song). That is, it is certified that Menaritory circle is the mainstream in traditional labor folksongs among Hamkyeongdo folksongs. 2. Singosantaryeong can be classified into Menaritory and Kyeongtory(the second Kyeongtory) according to the point of view. 3. It is found that the progressing feature of shouting from high to low tone. 4. The folksongs under the category of Dondolnaly can be construed into New Folksong or the folksong relating to Changga. 5. The compass of Hamkyeongdo labor songs is about one octave from lower 'mi' to higher 'mi'. 6. It has three scale structure that the five sound, the four sound and upper compass are limitedly used. 〈Musical Features in Eastern Folksong〉 1. There is Asayongtory which is the intermediate form of Kyeongtory and Menaritory. 2. There are three kinds of singing skill. One is shouting, the other is sounding plain and the third is sounding lower. 3. It has four tone in going-up, five tone in going-down and non-hemitonic scale. 4. It is the intermediate form of Yukjabagitory and Menaritory.(Kyeongnam province folksong, shamanic songs) 5. It is found the intermediate form of Menaritory and Susimgatory.(a boating song on Han river) 6. It has a tendencies to progress going-down from "Re" to "Do", and from "Ra" to "Mi" by way of "Sol". 7. Comparing to the other tories, the distribution area of Menaritory is very wide. 8. It can be found the form of Menari with heroic airs of Kyeongsangdo rather than sorrowful emotions.(long song in MoonKyeong weeding song) 9. There are midway cadence completed by "Mi" and perfect cadence completed by "Ra".
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      In this treatise, in order to derive the feature of Korean Eastern folksong, I tried to search the musical characteristics by comparing the existing researches related to the folksong of Kyungsangdo, Kangwondo and Hamkyungdo, with thirty-four pieces...

      In this treatise, in order to derive the feature of Korean Eastern folksong, I tried to search the musical characteristics by comparing the existing researches related to the folksong of Kyungsangdo, Kangwondo and Hamkyungdo, with thirty-four pieces of Hamkyungdo labor song(work song) recorded in two folksong book of 「JO-SEON MINYO BACGOKJIB」 and 「JO-SEON MINJOKEUMAK JEONJIB」. The researching result mentioned the above is as follows. 〈Musical Features in Hamkyeongdo Folksong〉 1. In short, there are Menaritory, Kyeongseotory and extraneous musical factor are mixed in Hamkyeongdo folksong(labor song). That is, it is certified that Menaritory circle is the mainstream in traditional labor folksongs among Hamkyeongdo folksongs. 2. Singosantaryeong can be classified into Menaritory and Kyeongtory(the second Kyeongtory) according to the point of view. 3. It is found that the progressing feature of shouting from high to low tone. 4. The folksongs under the category of Dondolnaly can be construed into New Folksong or the folksong relating to Changga. 5. The compass of Hamkyeongdo labor songs is about one octave from lower 'mi' to higher 'mi'. 6. It has three scale structure that the five sound, the four sound and upper compass are limitedly used. 〈Musical Features in Eastern Folksong〉 1. There is Asayongtory which is the intermediate form of Kyeongtory and Menaritory. 2. There are three kinds of singing skill. One is shouting, the other is sounding plain and the third is sounding lower. 3. It has four tone in going-up, five tone in going-down and non-hemitonic scale. 4. It is the intermediate form of Yukjabagitory and Menaritory.(Kyeongnam province folksong, shamanic songs) 5. It is found the intermediate form of Menaritory and Susimgatory.(a boating song on Han river) 6. It has a tendencies to progress going-down from "Re" to "Do", and from "Ra" to "Mi" by way of "Sol". 7. Comparing to the other tories, the distribution area of Menaritory is very wide. 8. It can be found the form of Menari with heroic airs of Kyeongsangdo rather than sorrowful emotions.(long song in MoonKyeong weeding song) 9. There are midway cadence completed by "Mi" and perfect cadence completed by "Ra".

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      목차 (Table of Contents)

      • Ⅰ. 서론
      • Ⅱ. 동부민요의 음악적 특징 고찰
      • Ⅲ. 함경도 민요의 고찰
      • Ⅳ. 결론
      • 〈참고문헌〉
      • Ⅰ. 서론
      • Ⅱ. 동부민요의 음악적 특징 고찰
      • Ⅲ. 함경도 민요의 고찰
      • Ⅳ. 결론
      • 〈참고문헌〉
      • 〈참고악보〉
      • Abstract
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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 평가 등재 1차 FAIL (등재유지) KCI등재
      2010-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2008-01-01 평가 등재 1차 FAIL (등재유지) KCI등재
      2005-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2004-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2002-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.44 0.44 0.37
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.38 0.36 0.896 0
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