Robert Frost’s labor poems open a mysterious space where ‘spell’ or fantasy cannot be separable from labor or reality and rather holds a cooperative relationship with it as a way to overcome the modern dilemmatic situation often called ‘the wa...
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https://www.riss.kr/link?id=A103969793
2007
-
KCI등재
학술저널
45-63(19쪽)
0
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
Robert Frost’s labor poems open a mysterious space where ‘spell’ or fantasy cannot be separable from labor or reality and rather holds a cooperative relationship with it as a way to overcome the modern dilemmatic situation often called ‘the wa...
Robert Frost’s labor poems open a mysterious space where ‘spell’ or fantasy cannot be separable from labor or reality and rather holds a cooperative relationship with it as a way to overcome the modern dilemmatic situation often called ‘the waste land.’ Frost’s method for accomplishing human dream again in this waste land is differentiated from T. S. Eliot’s ‘the mythical method’ to impose “shape and a significance to the immense panorama of futility and anarchy” from outside.
Frost’s famous line, “The fact is the sweetest dream that labor knows” can be said to represent the significance of new perceptional/experiential possibilities found in his labor poems. That is, only manual labor, which makes “our fingers rough,” is not sufficient to have some knowledge of or reach “the fact.” As Žižek says “through fantasy, we learn ‘how to desire,’” such mysterious acts of dreaming something as spell or fantasy are indispensable to complete human labor. The reason labor needs or should know spell or fantasy is that there is something in nature too elusive to touch or name. Therefore human labor needs to admit its limitation and leave a space for dreaming something inexplicable, because anything human do to the facts falsifies them. In other words, art or human labor should be not transforming the fact but “happening of the truth,” and man should form things not with one’s own will or interests but “in accordance with the laws of beauty.”
참고문헌 (Reference)
1 Lieber, "What to Make of a Diminished Thing" 64-83, 1975
2 Thompson, "The Years of Triumph" 1970
3 Poirier, "The Work of Knowing U of Oxford P" 1977
4 Marie, "The Uses of Simplicity" Chelsea House Publishers 63-83, 1986
5 New York, "The Sublime Object of Ideology" 1989
6 Frost, Robert, "The Poetry of Robert Frost" London: Vintage, 2001
7 Emerson, "The Library of America" 1983
8 Paton, "The Fact is the Sweetest Dream that Labor Knows" 44-59, 1981
9 Stevens, "The Collected Poems of Wallace Stevens" 1954
10 Eliot, "Selected Prose of T" 1975
1 Lieber, "What to Make of a Diminished Thing" 64-83, 1975
2 Thompson, "The Years of Triumph" 1970
3 Poirier, "The Work of Knowing U of Oxford P" 1977
4 Marie, "The Uses of Simplicity" Chelsea House Publishers 63-83, 1986
5 New York, "The Sublime Object of Ideology" 1989
6 Frost, Robert, "The Poetry of Robert Frost" London: Vintage, 2001
7 Emerson, "The Library of America" 1983
8 Paton, "The Fact is the Sweetest Dream that Labor Knows" 44-59, 1981
9 Stevens, "The Collected Poems of Wallace Stevens" 1954
10 Eliot, "Selected Prose of T" 1975
11 Frank, "Modern Poetics and the Landscape of Self U of Duke P" 1975
12 John F, "Frost as Modern Poet a Collection of Critical Essays Prentice-Hall" INC 177-197, 1962
13 Marx, "Economic and Philosophic Manuscripts of 1844" International Publishers 1964
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학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2026 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2020-01-01 | 평가 | 등재학술지 유지 (재인증) | |
2017-01-01 | 평가 | 등재학술지 유지 (계속평가) | |
2013-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2010-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2007-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
2006-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | |
2004-01-01 | 평가 | 등재후보학술지 선정 (신규평가) |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.45 | 0.45 | 0.45 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.4 | 0.38 | 0.67 | 0.23 |