조형예술에 있어 형식형성의 미학적 과제 = The Aesthetic Problems of Artistic Forming in the Plastic Arts

다국어 초록 (Multilingual Abstract)

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다국어 초록 (Multilingual Abstract)

Consequently, the formal quality in the plastic art is that established through the artistic explication of existence and reality, legal visual-artistic abstract and abstractive process that create plastic space. Therefore, it is, not the pure conceptive form, a special product that gave as embodiment through that. The character of plastic form that related to a problem of artistic reform is that realized through the unity of sensitive and spiritual intuition and unity of world and spirit that applied the cogmtion of phenomenal world and cognition of artistic form. The plastic form is, only not general reproduction of reality and virtual production of fancy, that is involved the visual-conceptive-artistic total value that gave as translation of reality. Therefore, the aesthetic problems of artistic forming in the plastic arts essentially started from a point of view that the characters of the artistic form simply didn`t kept on the conceptual or material side. It started from the deduction that K. Fiedler`s `the corrective cognition of the world`, A. von Hildebrand`s `the artistic forming`, and R. Arnheim`s `the visual-perceptional principle` must to be unified and developed. The conclusion of study of the artistic forming was that the problems of artistic forming in the plastic arts is demanded artistic re-formation for a realization of `the formal property`, then, the character of artistic form, was that have to be the aesthetic or artistic value as `the unified-form of world and spirit. So, the aesthetic problem of artistic forming must get out of the narrow objection of study or method of study, in other words, it must has the progress to the higher task that get on with the `visual-conceptual-artistic dimension`.