The discourses of the new woman (xin nüxing) in modern China articulate the deep-seated problematics that underlie social perceptions of (educated) modern women. This essay examines the changing social images of the new woman and the different wa...
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https://www.riss.kr/link?id=A104456547
홍지순 (The New School University)
2007
-
The New Woman ; The New Youth ; The Printed Media ; Film ; Public Gaze ; Commercialization ; The Female Elite ; The Female Intellectual ; Career Women ; Film ; The New Woman ; The New Youth ; The Printed Media ; Public Gaze ; Commercialization ; The Female Elite ; The Female Intellectual ; Career Women
KCI등재
학술저널
151-183(33쪽)
6
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
The discourses of the new woman (xin nüxing) in modern China articulate the deep-seated problematics that underlie social perceptions of (educated) modern women. This essay examines the changing social images of the new woman and the different wa...
The discourses of the new woman (xin nüxing) in modern China articulate the deep-seated problematics that underlie social perceptions of (educated) modern women. This essay examines the changing social images of the new woman and the different ways in which they were produced and consumed, according to socio-historical changes and to the medium used, such as the printed media and film in modern China. Approaching the New Woman as a significant cultural phenomenon of global modernity, it also compares the new woman images from other parts of the world such as England, Germany, Japan, the US and Korea. If the sustaining representative image of the New Woman throughout the Republican period was the woman writer, this essay also deals with its implicit and explicit associations with other images suchas the college student, the teacher, the actress and the prostitute. This essay is also based on my illumination of the conceptual relationship between xin nüxing and xin qingnian. While xin qingnian were the direct producers of discourses in the sphere of ideology and culture, xin nüxing were under the intensive control of these intellectual discourses. The primary marker of a xin nüxing was her lifestyle or, more often than not, simply her fashion and hairstyle. This implies that public interest in the new women was directed towards their private lives and bodies. This conceptual history of xin nüxing implies that educated modern women were the privileged object of the commercial gaze and the mass media, which is also vividly demonstrated in the recent media fever for the Shin Jung-Ah incident in Korea. Finally, this essay points out the relationship between the new woman’s image in contemporary China with the Neo Liberalist ideology.
참고문헌 (Reference)
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1 송연옥, "조선 ‘신여성’의 내셔널리즘과 젠더" 신여성
2 박용옥, "신여성에 대한 사회적 수용과 비판" 서울: 청년사 2003
3 최혜실, "신여성들은 무엇을 꿈꾸었는가" 서울: 생각의 나무 2000
4 "立北京女子范大略" 北京: 立北京女子范大 1926
5 尾形明子, "沼文壇史との女性たち, 日本文壇史: 新しき女の群 沼茂樹" 東京: 講談社 1998
6 毅眞, "幾位當代中國女小說家" 1933
7 理群, "代文大育系的史考察―‘二十世中文大文化序" 78 (78): 126-143, 1999
8 懋德, "人於泰戈之感想" 1924.6.3
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16 Schwarcs, Vera, "The Chinese Enlightenment: Intellectuals and the Legacy of the May Fourth Movement of 1919" 1986
17 Yeh, Wen-hsin, "The Alienated Academy: Culture and Politics in Republican China 1919~1937" Harvard University Asia Center 1990
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‘이방인’과 ‘국가인’의 경계에 선 가오싱젠(高行健) ― 망명 이후 희곡작품을 중심으로
도시 폭력의 우연성과 익명성 ― 에드워드 양의 위험한 사람들 읽기
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2027 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2021-01-01 | 평가 | 등재학술지 유지 (재인증) | |
2018-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2015-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2011-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2009-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2007-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2005-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2002-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
1999-07-01 | 평가 | 등재후보학술지 선정 (신규평가) |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.44 | 0.44 | 0.36 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.37 | 0.34 | 0.589 | 0.43 |