트라우마를 수행하다 돈 드릴로의 서사실험 연구

다국어 초록 (Multilingual Abstract)

Publised in 2000, Don DeLillo's The Body Artist is radicaaly different from his previous works in its theme and scope. Instead of offering a panoramic overview of the effects of global capitalism, the short novel proves into the traumatized mind of a body artist. In The Body Artist DeLillo experiments with the narrative form as it performs, rather than heals, the trauma. As a result, the reader is invieted to participate in the protagonist's gradual recognition of her self as irreversibly damaged by the loss of the loved other. This new way of perceiving the self is important as it leads to the realization of the Self that is vulnerable to, and thus open to, the Other. Thus conceived, this self-other relationship also opens the possibility of re-reading the past and forming a sess self-centerd future. This is a possibility DeLilloe explores in Falling Man while dealing with 9·11, a national trauma of the U.S. In the novel, DeLillo counteracts the patriotic and oversimplified representations of 9·11 which have contributed to the totalitarian turn of th Bush administration. Extending the formal experiment of performing trauma on the lovel of narrative, Falling Man forces the reader to face the naked moment of the catastrophe. However, Falling Man stops short of imagining a different kind of a nation self, as it fails to confront the complex causes and outcomes of the terror attack.

참고문헌 (Reference)

1 Don DeLillo, Scribner 30-, 2010

2 노엄 촘스키, "촘스키 9-11" 김영사 2001

3 Dominick LaCapra, "Writing History, Writing Trauma" Johns Hopkins UP 12-, 2001

4 Slavoj Žižek, "Welcome to the Desert of the Real!" Verso 2002

5 Cathy Caruth, "Unclaimed Experience, In Trauma, Narrative, and History" Johns Hopkins UP 8-, 1996

6 Ruth Leys, "Trauma: A Genealogy" U of Chicago P 2000

7 Judith Herman, "Trauma and Recovery: The Aftermath of Violence from Domestic Abuse to Political Terror" Basic Books 1997

8 Linda Kauffman, "The Wake of Terror: Don DeLillo’s ‘In the Ruins of the Future,’‘Baader-Meinhof,’ and Falling Man" 54 (54): 353-377, 2008

9 Aaron Mauro, "The Languishing of the Falling Man: Don Delillo and Jonathan Safran Foer’s Photographic History of 9/11" 57 (57): 451-452, 2011

10 Elizabeth Ermarth, "The Crisis of Realism in Postmodern Time, In Realism and Representation" U of Wisconsin P 214-224, 1993

11 Frank Rich, "The Clear Blue Sky"

12 Don DeLillo, "The Body Artist" Scribner 9-, 2001

13 Naomi Klein, "Shock Doctrine: The Rise of Disaster Capitalism" Metropolitan Books 299-, 2007

14 Judith Butler, "Precarious Life: The Power of Mourning and Violence" Verso 11-, 2004

15 Kristiaan Versluys, "Out of the Blue: September 11 and the Novel" Columbia UP 15-, 2009

16 Rachel Smith, "Organic Shrapnel: Affect and Aesthetics in September 11 Fiction" 83 (83): 154-155, 2011

17 Don DeLillo, "In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September" 33-40, 2001

18 DeLillo, "In the Ruins of the Future" 34-,

19 Don DeLillo, "Falling Man" Scribner 225-, 2007

20 Jonathan Safran Foer, "Extremely Loud and Incredibly Close" Houghton Mifflin Harcourt 2005

21 Marco Abel, "Don DeLillo’s ‘In the Ruins of the Future’: Literature, Images, and the Rhetoric of Seeing 9·11" 118 (118): 12-37, 2003

22 Philip Nel, "Don DeLillo’s Return to Form: The Modernist Poetics of The Body Artist" 43 (43): 736-759, 2002

23 이정진, "'변신'의 변신 : 샘 셰퍼드와 미국 아방가르드 연극의 유산" 서울대학교 대학원 2011