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    웹 4.0시대의 패션데이터 활용을 위한 연구: 오픈패션 개념과 오픈패션 라이선스 제안 = A Study on the Utilization of Fashion Data in the Web 4.0 Era: Proposal of the Open Fashion Concept and Open Fashion License

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    https://www.riss.kr/link?id=A109414808

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Traditionally, design knock-off has been negatively perceived as it can undermine the unique value of a brand by unauthorizedly appropriating a designer's creative efforts without compensation. On the contrary, the piracy paradox refers to the idea that knock-off in design can actually promote innovation within the fashion industry and benefit creators. This study proposes a new concept called “Open Fashion” by applying an open-source license framework from the software industry to fashion data. Open Fashion aims to promote sharing and utilization of fashion data, offering institutional mechanisms to address the issue of design knock-off from ethical and economic perspectives. Based on concepts of “open-source licenses” widely used in the software industry and “creative commons (CC)” licenses in the content field, this study developed an “Open Fashion License (OFL)” tailored to fashion data. This study examined open-source licenses basedon the latest “Open Source Software License Guide” provided by NIPA and “creative commons (CC)” licenses in the content field. It applies them to fashion data. The Open Fashion License is finalized basedon review and consensus of five experts. Consequently, this study proposed three types of OFL, depending on whether the original creator's work was modified and the obligation to redistribute modified data: 1) Permissive, 2) Copyleft, and 3) Source-Available. This study seeks to promote ongoing innovation and growth in the fashion industry by creating ethical and transparent systems that could formalize the cyclical nature of fashion, as described in the piracy paradox theory.
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    Traditionally, design knock-off has been negatively perceived as it can undermine the unique value of a brand by unauthorizedly appropriating a designer's creative efforts without compensation. On the contrary, the piracy paradox refers to the idea th...

    Traditionally, design knock-off has been negatively perceived as it can undermine the unique value of a brand by unauthorizedly appropriating a designer's creative efforts without compensation. On the contrary, the piracy paradox refers to the idea that knock-off in design can actually promote innovation within the fashion industry and benefit creators. This study proposes a new concept called “Open Fashion” by applying an open-source license framework from the software industry to fashion data. Open Fashion aims to promote sharing and utilization of fashion data, offering institutional mechanisms to address the issue of design knock-off from ethical and economic perspectives. Based on concepts of “open-source licenses” widely used in the software industry and “creative commons (CC)” licenses in the content field, this study developed an “Open Fashion License (OFL)” tailored to fashion data. This study examined open-source licenses basedon the latest “Open Source Software License Guide” provided by NIPA and “creative commons (CC)” licenses in the content field. It applies them to fashion data. The Open Fashion License is finalized basedon review and consensus of five experts. Consequently, this study proposed three types of OFL, depending on whether the original creator's work was modified and the obligation to redistribute modified data: 1) Permissive, 2) Copyleft, and 3) Source-Available. This study seeks to promote ongoing innovation and growth in the fashion industry by creating ethical and transparent systems that could formalize the cyclical nature of fashion, as described in the piracy paradox theory.

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    참고문헌 (Reference)

    1 Lee, J. G., "포에버21의 파산신청을통해 본 지식재산권과 상표제도 (Ⅰ) [Intellectualproperty and trademark system insights from Foreverwq’s bankruptcy filling (Ⅰ)]"

    2 Yoo, J. S., "집단지성의 명암, ①세상을 바꾸는 힘 ‘집단지성’ [The pros and cons ofcollective intelligence]"

    3 Ryu, W. O., "주요 오픈소스 라이선스 현황 [Current status of major open sourcelicenses]" 36 (36): 32-41, 2019

    4 Hyun, H. R., "이자벨 마랑, 멕시코원주민 문양 도용의혹 사과 [Isabel Marant apologizesfor allegations of stealing indigenous Mexicanpatterns]"

    5 Kim, M. H., "위키피디아와 오픈 프로토콜 [Wikipedia and open protocols]"

    6 Park, J., "웹 융합 서비스 구현 기술의발전 동향 [Trends in the development of webconvergence service implementation technologies]" 38 (38): 3-9, 2021

    7 Yoo, J. P., "오픈소스 하드웨어 플랫폼(OPHW)동향및 전망 [Trends and prospects of open sourcehardware platforms(OPHW)]" 8 : 2013

    8 Kim, B., "오픈소스 개념 및 주요동향 [Overview of the open source concept]" 35 (35): 45-51, 2018

    9 Yoo, J. B., "루마니아가 루이비통에 화난이유 [Why Romania is angry with Louis Vuitton]"

    10 Min, J. H., "기업의 생존을 지원하는 디지 털 전환(DX), 디지털 트렌드 2023 [Digital transformation (DX) supporting corporate survival: Digital trends 2023]"

    1 Lee, J. G., "포에버21의 파산신청을통해 본 지식재산권과 상표제도 (Ⅰ) [Intellectualproperty and trademark system insights from Foreverwq’s bankruptcy filling (Ⅰ)]"

    2 Yoo, J. S., "집단지성의 명암, ①세상을 바꾸는 힘 ‘집단지성’ [The pros and cons ofcollective intelligence]"

    3 Ryu, W. O., "주요 오픈소스 라이선스 현황 [Current status of major open sourcelicenses]" 36 (36): 32-41, 2019

    4 Hyun, H. R., "이자벨 마랑, 멕시코원주민 문양 도용의혹 사과 [Isabel Marant apologizesfor allegations of stealing indigenous Mexicanpatterns]"

    5 Kim, M. H., "위키피디아와 오픈 프로토콜 [Wikipedia and open protocols]"

    6 Park, J., "웹 융합 서비스 구현 기술의발전 동향 [Trends in the development of webconvergence service implementation technologies]" 38 (38): 3-9, 2021

    7 Yoo, J. P., "오픈소스 하드웨어 플랫폼(OPHW)동향및 전망 [Trends and prospects of open sourcehardware platforms(OPHW)]" 8 : 2013

    8 Kim, B., "오픈소스 개념 및 주요동향 [Overview of the open source concept]" 35 (35): 45-51, 2018

    9 Yoo, J. B., "루마니아가 루이비통에 화난이유 [Why Romania is angry with Louis Vuitton]"

    10 Min, J. H., "기업의 생존을 지원하는 디지 털 전환(DX), 디지털 트렌드 2023 [Digital transformation (DX) supporting corporate survival: Digital trends 2023]"

    11 Kim, S. Y., "공개소프트웨어에 대한 저작권 관점의쟁점과 그 원인 [Issues and causes from a copyrightperspective on open source software]" 35 (35): 61-64, 2017

    12 Wang, Y., "Will the presence of 'fashion knockoffs' benefit the original-designer-label product supply chain?" 62 (62): 1541-1566, 2024

    13 Preet, K., "Why America needs a European fashion police" 3 (3): 386-392, 2008

    14 Raustiala, K., "When are IP rights necessary? Evidence from innovation in IP's negative space" 1 : 1-32, 2016

    15 "What is web 4.0: An overview of the latest evolution of the internet"

    16 Nagpal, Y., "The piracy paradox : Fashion design piracy & IPR protection" 2 : 1-22, 2021

    17 Raustiala, K., "The piracy and paradox : Innovation and intellectual property in fashion design" 92 (92): 1687-1777, 2006

    18 Xiao, E. Y., "The new trend : Protecting American fashion designs through national copyright measures" 28 : 417-444, 2010

    19 Andrews, K. N., "The most fascinating kind of art : Fashion design protection as a moral right" 2 : 188-226, 2012

    20 Kelly, K., "The inevitable : Understanding the 12 technological forces that will shape our future" Penguin 2017

    21 Leadbeater, C., "The art of with" Cornerhouse 2009

    22 Shim, T., "Study on utilization plans of smart contract technology based on blockchain for copyright protection" 343-344, 2019

    23 Hemphill, C. S., "Remix and cultural production" 1227-1232, 2009

    24 "Prada doesn’t mind if you’re carrying a fake designer bag"

    25 김장현, "Plagiarism dispute cases of fashion design and undergraduate students' perceptions regarding plagiarism of fashion design" 21 (21): 480-489, 2020

    26 Lin, Y. H., "Open source licenses and the creative commons framework : License selection and comparison" 22 (22): 1-17, 2006

    27 Park, S. M., "Open source is transforming the future of the software industry [오픈소스, 미래 소 프트웨어 산업 생태계를 바꾸다]"

    28 Hummels, C. C. M., "Open design now; why design cannot remain exclusive" BIS Publishers 162-, 2011

    29 Appel, G., "On the monetary impact of fashion design piracy" 35 (35): 591-610, 2018

    30 "Ministry of Science and ICT & National IT Industry Promotion Agency"

    31 고재윤 ; 남형두 ; 고은주, "Legal issues of graffiti art collaboration in Fashion" 47 : 305-318, 2015

    32 Gu, H. N., "K-패션, '디자인 카피'가발목 잡는다 [K-Fashion hampered by ‘design copy’]"

    33 Raustiala, K., "Faster fashion : The piracy paradox and its perils" 39 (39): 535-556, 2021

    34 Elia, A., "Fashion: Tyranny and Revelation" Brill 127-138, 2016

    35 Caponigri, F., "Fashion's brand heritage, cultural heritage, and the piracy paradox" 39 : 557-605, 2021

    36 Mustonen, N., "Fashion openness: Applying an open source philosophy to the paradigm of fashion" Aalto University 2013

    37 Faux, D., "Elite knockoffs and nascent designers" 1 : 6-14, 2009

    38 Jothianandan, S., "Diane von Furstenberg Wields a Gavel for Fashion Law"

    39 Hagedorn, G., "Creative Commons licenses and the non-commercial condition : Implications for the re-use of biodiversity information" 150 : 127-149, 2011

    40 Misra, P. K., "Creative Commons licenses : Benefits and implications in teaching and research" 28 (28): 195-215, 2020

    41 Mackinney-Valentin, M., "Copy chic : Status representation and intellectual property rights in contemporary luxury fashion" 1 (1): 93-112, 2014

    42 Yeo, Y. H., "Blockchain use cases: How blockchain is used for security [블록체인 활용사 례, 철통보안 블록체인 어떻게 쓰이나]"

    43 "Black Duck and North Bridge release results from 10th annual future of open source survey"

    44 Beard, A., "A survey on open source software licenses : Student paper" 22 (22): 205-211, 2007

    45 Yang, B. N., "A study on the legal issues of open source software licenses" Chosun University 2016

    46 유영 ; 장경풍, "A study of creative commons licenses in the digital age" 13 (13): 1119-1132, 2022

    47 Park, J., "A qualitative meta-analysis and suggestions for the protection of the copyright law in fashion design" 8 : 65-89, 2022

    48 National Information Society Agency., "2023 인터넷이용실태 요약보고서 [2023 Survey on the Internet usage]"

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