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    뮤지컬 <록키 호러 쇼>에 나타난 캠프 스타일의 특성과 그레마스 기호학적 의미 분석 = Analysis of Camp style characteristics and Greimas semiotic meaning in the musical The Rocky Horror Show

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    https://www.riss.kr/link?id=A109414806

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    This study explored characteristics of Camp style as presented in the musical The Rocky Horror Show, analyzing its symbolic meanings through the lens of Greimas' semiotic square model. Camp style, known for its exaggerated expressions, irony, and fluid gender representations, plays a central role in challenging traditional gender norms and cultural binaries. This study begins by outlining the significance of The Rocky Horror Show in musical theater and pop culture, highlighting its impact on fashion and art. Through character and costume analysis, this paper examined four key features of Camp style: symbolism, gender fluidity, playfulness, and theatricality. The semiotic square model was applied to deconstruct complex relationships between these features, particularly focusing on contradiction and opposition. Research findings demonstrated how Camp's symbolic elements in costume design interacted with the narrative and character identities to convey deeper cultural and social meanings. This analysis provides insights into how Camp style functions as both a visual and cultural critique within the framework of the musical.
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    This study explored characteristics of Camp style as presented in the musical The Rocky Horror Show, analyzing its symbolic meanings through the lens of Greimas' semiotic square model. Camp style, known for its exaggerated expressions, irony, and flui...

    This study explored characteristics of Camp style as presented in the musical The Rocky Horror Show, analyzing its symbolic meanings through the lens of Greimas' semiotic square model. Camp style, known for its exaggerated expressions, irony, and fluid gender representations, plays a central role in challenging traditional gender norms and cultural binaries. This study begins by outlining the significance of The Rocky Horror Show in musical theater and pop culture, highlighting its impact on fashion and art. Through character and costume analysis, this paper examined four key features of Camp style: symbolism, gender fluidity, playfulness, and theatricality. The semiotic square model was applied to deconstruct complex relationships between these features, particularly focusing on contradiction and opposition. Research findings demonstrated how Camp's symbolic elements in costume design interacted with the narrative and character identities to convey deeper cultural and social meanings. This analysis provides insights into how Camp style functions as both a visual and cultural critique within the framework of the musical.

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    참고문헌 (Reference)

    1 Inchley, M., "‘Mr. blue sky’ in the west end : Becoming musical in our ladies of perpetual succour" 32 (32): 162-176, 2022

    2 Corso, J. J., "What does Greimas’s semiotic square really do?" 47 (47): 69-89, 2014

    3 Campos, M. S., "Weh, talaga?! camp, queer body, and the posthuman" 12 : 337-349, 2024

    4 김수남, "The discuss on the expanded cinema of"the rocky horror picture show"’s performance" 61 : 63-92, 2014

    5 Greimas, A., "The cognitive dimension of narrative discourse" 20 (20): 563-579, 1989

    6 Normandin, S., "Squaring"The rhetoric of temporality" : Greimassian semiotics and de Manian deconstruction" 51 (51): 538-564, 2023

    7 "Semiotic Square"

    8 신미라 ; 이지현, "Semantic analysis on change of deconstructive fashion design from a semiotic perspective" 20 (20): 113-129, 2020

    9 "Rocky"

    10 "Riff Raff"

    1 Inchley, M., "‘Mr. blue sky’ in the west end : Becoming musical in our ladies of perpetual succour" 32 (32): 162-176, 2022

    2 Corso, J. J., "What does Greimas’s semiotic square really do?" 47 (47): 69-89, 2014

    3 Campos, M. S., "Weh, talaga?! camp, queer body, and the posthuman" 12 : 337-349, 2024

    4 김수남, "The discuss on the expanded cinema of"the rocky horror picture show"’s performance" 61 : 63-92, 2014

    5 Greimas, A., "The cognitive dimension of narrative discourse" 20 (20): 563-579, 1989

    6 Normandin, S., "Squaring"The rhetoric of temporality" : Greimassian semiotics and de Manian deconstruction" 51 (51): 538-564, 2023

    7 "Semiotic Square"

    8 신미라 ; 이지현, "Semantic analysis on change of deconstructive fashion design from a semiotic perspective" 20 (20): 113-129, 2020

    9 "Rocky"

    10 "Riff Raff"

    11 Lisecka, M., "Notes on le grand macabre and the aesthetics of camp" 69 (69): 25-35, 2024

    12 "Janet Weiss"

    13 Schoch, H., "Grasping the complicity and multiplicity of hamilton : An american musical : Genre circulation and the politics of pop culture pedagogy" 18 (18): 1-18, 2023

    14 "Frank-N-Furter"

    15 Greimas, A., "Figurative semiotics and the semiotics of the plastic arts" 20 (20): 627-649, 1989

    16 "Eddie"

    17 Everquill, L., "Divorced, beheaded, defied : Solidarity in individual and collective herstories in SIX the Musical" 44 (44): 165-173, 2024

    18 Crookston, C., "Can I be frank with you? Laverne cox and the historiographic dramaturgy of the rocky horror picture show" 27 (27): 233-252, 2021

    19 Murphy, N., "Camp comedy and"Submerged Trouble" : Molly Keane's queer collaborations" 104 (104): 1097-1117, 2023

    20 유해민 ; 전재훈, "Alessandro michele’s camp aesthetics in the gucci collection : Based on the david bergman’s classification" 20 (20): 103-120, 2020

    21 Sontag, S., "Against interpretation and other essays" Anchor Books 1990

    22 이지현 ; 김지은 ; 류림정, "A study on the generative structure of the meaning and the binary-opposition in the convergence of fashion design and technology as a emotional method : Focused on fashion design collections" 63 (63): 134-147, 2013

    23 이혜주 ; 정삼호, "A study on comedy 's stage costume design : Focused on the comedy" 62 (62): 40-54, 2012

    24 백효연 ; 이지현, "A study of the formative characteristics and meaning in contemporary fashion subculture using the greimas semiotic square" 67 (67): 80-99, 2017

    25 염혜정 ; 김초롱, "A study of fashion style of american sub-cultural style in the late 1980s expressed in stage costumes of musical ‘rent’" 17 (17): 304-318, 2011

    26 Chatzipapatheodoridis, C., "A history of camp from christopher Isherwood to the met gala" 26 : 7-26, 2019

    27 Shiller, R. S., "A critical exploration of cross-dressing and drag in gender performance and camp in contemporary north American drama and film" University of Toronto 2000

    28 Shirland, J., "'A singularity of appearance counts doubly in a democracy of clothes' : Whistler, fancy dress and the camping of artists' dress in the late nineteenth century" 8 (8): 15-35, 2007

    29 Roach, J., ""Don’t dream it, be it" : The rocky horror picture show’s impact on queer communities in the 1970s" 1 (1): 1-12, 2024

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