루쉰(魯迅) 野草의 繪畵性 = The Pictorial Distinctiveness of Lu Xun’s Wild Grass

다국어 초록 (Multilingual Abstract)

This article is focused on drawing nature of Wild Grass(Ye Cao). Ye Cao is always considered hard to understand and interpret. Sometimes It is regarded as philosophical text that tell about the essence of human being and the world. The artistic beauty of Ye Cao reflects not only on its profound thought, but also on its drawing nature. In Ye Cao, the ambiguity of the character's creation, the subject of the artistic symbol and hazy background and peculiar dream constitute the artistic conception. It also brings readers strong aesthetic experience in the use of language.
The use of symbolization and noncommittal time and space causes linguistic ambiguity, indescribable free style, profound and far-reaching significance; while the vagueness of the image enlarges the implication and uncertainty of the writing. This makes it difficult for readers to understand the Ye Cao.

참고문헌 (Reference)

1 유세종, "魯迅 野草의 象徵構造 硏究 ― 시대와 작가의식 그리고 문학적 대응양식을 중심으로" 한국중국현대문학학회

2 심혜영, "루쉰(魯迅)의 야초(野草)와 ‘꿈꾸는 정신’의 ‘불안’" 한국중국현대문학학회 31 :

3 김언하, "루쉰 야초(野草)의 시 세계 ― 극단적 대립과 터무니없음의 미학" 한국중국현대문학학회 27집 :

4 최연숙, "野草的空間美學" 한국중국현대문학학회 24 :

5 최연숙, "野草的時間美學" 한국중국현대문학학회 25 :