이효석의 <벽공무한>에 담긴 중국 ‘만만디’ 문화 일고찰 = An Examination on Chinese Factors in Li Xiaoshi"s Novel Boundless Blue Sky

다국어 초록 (Multilingual Abstract)

In this paper, as part of the study of Li Xiaoshi"s literature, his masterpiece Boundless Blue Sky (1941) is treated as the research object. Boundless Blue Sky is Li"s second novel after his novel Pot (1939) which contains Harbin exotic flavors against Chinese modern historical background. So far, almost all researchers, more or less, have analyzed the relationship between his exotic style and his thought involved in having a servile attitude to foreign things in Li"s novels.
However, the author in this paper tries to avoid above issues which have been hotly discussed because of the following two reasons: one is that the author wants to adhere to her previous lines of research focusing on Chinese factor reflected in Korea modern novels. After many years of research in this field, based on 18 papers that have been published, the author is confident enough to form so-called “my own research routes”. The other reason is that the author thinks modern Chinese literature and Korean literature share a common background and circle of life. It is meaningful to distill Chinese cultural factors from those Korean works and this kind of research method has provided the author a very broad comparative research field.
This paper centers on the study of two Chinese cultural factors in Boundless Blue Sky: the first one is “slow culture” which also can be called a part of the Chinese people"s life. The cultural essence is immersed in China"s popular life. It is not uncommon in Li Xiaoshi"s novels. The second is the scene of Harbin Central Avenue which appears frequently in the works. he author believes that the westernized phenomenon of Harbin Central Avenue is a kind of inertial thinking, a kind of biased consciousness caused by worshiping western thought. It is regarded as author’s creative thinking to change the research angle. Although Li Xiaoshi had not lived in China for a very long time, he accepted Chinese culture and was deeply influenced by Chinese culture. Therefore, it is very common to find the characters in his works referring to Chinese culture, especially the "slow culture" in China. In addition to these two aspects, diverse Chinese culture can be perceived in Boundless Blue Sky, such as the lottery culture in all ages, beggars, Chinese mahjong, etc.. Because of the limited space of this paper, these researches need to be done in the future.

목차 (Table of Contents)

• 1. 들어가며
• 2. 왜 이효석 소설인가
• 3. <벽공무한>과 그 중국적 요소
• 4. 맺음말
• 참고문헌
• 논문초록

참고문헌 (Reference)

1 유진오, "작가 이효석론" 1942

2 김재용, "일제말 이효석 문학과 우회적 저항" 한국근대문학회 (24) : 297-318, 2011

3 이상옥, "이효석문학과 생애" 민음사 295-296, 1992

4 김형수, "이효석, 비협력과 주저하는 협력 사이의 문학" 2006

5 서재원, "이효석 일제말기 소설 연구 -『벽공무한』에 나타난 ‘하얼빈’의 의미를 중심으로-" 국제어문학회 (47) : 265-291, 2009

6 김주리, "이효석 문학의 서구지향성이 갖는 의미 고찰" 민족문학사학회 24 : 387-408, 2004

7 이효석, "벽공무한" 동도서기 2009

8 이경훈, "문학속의 파시즘" 삼인 2001

9 井上隆明, "東北․北海道の俳諧の研究" 新典社 56-57, 2003

10 김미영, "《碧空無限》(1941)에 나타난 이효석의 異國취향" 우리말글학회 39 : 239-267, 2007

11 윤대석, "1940년대 만주와 한국문학자" (31) : 2005