忠臣藏映畵의 史的考察

다국어 초록 (Multilingual Abstract)

Positive communion with the traditional culture of the country was necessary for a film having developed uniquely soon in not only Japan but also many countries more than 100 years. An Italian movie got rich material with opera for overpowering to date from the early days, and the Japanese film is art civilized on a thing of the soil of the Japanese culture so that there is a Chinese movie on the extension line of Beijing opera to base it on faith of the Taoism. Thus the research about close relations with Kabuki which was one of the traditional culture judged it to understand Chushingura Film in this report deeply when it must be gone ahead. When the people concerned of Kabuki looked down on a movie first, I mentioned it before. The movie confirmed a fact affected from Kabuki which was a popular play a lot to miss it. In space relations, I came to remain in historic research this time, but want to already grope for possibility of the new interpretation of the one through the narrative analysis by the movie which seems to be <Shijushichinin no shikaku: 47 assassinators> as the revenge drama that is merely only cruel by Chushingura Film if an opportunity is given next.

목차 (Table of Contents)

• Ⅰ. 머리말
• Ⅱ. 가부키 잔영
• Ⅲ. 가부키 출신 영화배우
• Ⅳ. 멜로드라마10)로서 주신구라
• Ⅴ. 주신구라 영화
• Ⅵ. 맺음말
• 【참고문헌】
• <要旨>

참고문헌 (Reference)

1 이준, "주신구라" 살림출판사 2005

2 구양, "일본은 결코 문명대국이 될 수 없다"

3 四方田犬彦"映画ジャンルとしての, "映画ジャンルとしての『忠臣蔵』" 明治学院大学文学部芸術学科 (12) : 2002

4 四方田犬, "日本映画史100年" 集英社新書 2000

5 佐藤忠, "日本映画史 第2巻" 岩波書店 1996

6 佐藤忠, "日本映画300" 朝日文庫 1995