This paper tries to analyse what the ‘anxiety’ is as shown in the Eileen Chang(張愛玲)'s short stories Chuanqi( 傳奇, Legend) from the perspective of the women and national imaginary relation. The special edition of the Chuanqi was published ...
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https://www.riss.kr/link?id=A82498615
2010
Korean
KCI등재
학술저널
1-33(33쪽)
4
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This paper tries to analyse what the ‘anxiety’ is as shown in the Eileen Chang(張愛玲)'s short stories Chuanqi( 傳奇, Legend) from the perspective of the women and national imaginary relation. The special edition of the Chuanqi was published ...
This paper tries to analyse what the ‘anxiety’ is as shown in the Eileen Chang(張愛玲)'s short stories Chuanqi( 傳奇, Legend) from the perspective of the women and national imaginary relation. The special edition of the Chuanqi was published in fall, 1946, when Eileen Chang was lashed out ‘traitor(漢奸)’ after the defeat of the Japanese Empire. She couldn't choose but explain about her being a ‘traitor’ in order to stand up again as a writer, and we can trace her explanation in the foreword “To the Readers(有幾句話同讀者說)” added to the special edition, the epilogue “Day and Night in China (中國的日夜)” and the new cover picture. Eileen Chang flatly denied her being a ‘traitor’ in the “To the Readers”, and in the “Day and Night in China” did she do the same indirectly through an emotional telling of everyday life right after the Liberation. She also wrote that she changed the cover picture with the intention to send the audience ‘anxiety’. Laying all this as background against which we can look at the word ‘anxiety’ she cast as a keyword in explaining the relation of women and nationhood, this paper tries out a ‘symptomatic reading’ of “To the Readers”, “Day and Night in China” and the cover picture, all three comprising an intertext. According to its findings, the cover picture of the special edition of the Chuanqi forms a metaphor of an outsider's perspective of hysterical female subject, of her narrative strategy and of the non-linear, accumulative time of the women returned through that strategy. In this regard, we can say that the ‘anxiety’ found throughout the Chuanqi is an effect out of a feminist narrative which anxiously transforms the male nationalist narrative of Enlightenment and supplements a heterogenous national imaginary. This kind of analysis will lead off from the pre-existing binarism towards a multi-layered conceptualization with regard to the relation between modern female subject formation and the national imaginary, and give a roundabout answer to the still persistent debate over Eileen Chang being a ‘traitor’.
목차 (Table of Contents)
참고문헌 (Reference)
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1 임우경, "「색, 계」 논쟁, 중국 좌파 민족주의의 굴기 혹은 위기" (59) : 2008
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3 陳遼, "淪陷區文學評價中的三大分岐" 2001
4 林幸謙, "歷史, 女性與性別政治 ― 重讀張愛玲" 麥田出版社 2000
5 크리스티나 폰 브라운, "히스테리: 논리⋅거짓말⋅리비도" 여이연 2003
6 임우경, "중국의 반전통주의 민족서사와 젠더" 연세대 2004
7 박자영, "소문과 서사: 장아이링 『전기』 다시 읽기" 한국여성문학학회 20 (20): 73-103, 2008
8 프로이트, "두려운 낯설음. in: 창조적인 작가와 몽상" 열린책들 1997
9 임우경, "노라의 자살: 현대 민족서사와 張愛玲의 覇王別姬" 한국중국현대문학학회 (38) : 177-215, 2006
10 김수연, "기억과 내러티브 ― ‘傳奇’적 텍스트의 재해석" 한국중국현대문학학회 (47) : 77-96, 2008
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12 王得威, "閱讀張愛玲 ― 張愛玲國際硏討會論文集" 麥田出版社 1999
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23 周蕾, "婦女與中國現代性" 麥田出版社 1995
24 劉紹銘, "再讀張愛玲" 山東畵報出版社 2004
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26 Homi Bhabha, "“DissemiNation ; Time, Narrative, and the margins of the modern nation”, The Location of Culture" Routledge 1994
27 신광현, "‘징후 읽기’와 읽기의 징후화: 알뛰쎄르의 『?자본론? 읽기』를 중심으로" 영미문학연구회 15 : 10-34, 2003
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2027 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2021-01-01 | 평가 | 등재학술지 유지 (재인증) | |
2018-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2015-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2011-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2009-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2007-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2005-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2002-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
1999-07-01 | 평가 | 등재후보학술지 선정 (신규평가) |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.44 | 0.44 | 0.36 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.37 | 0.34 | 0.589 | 0.43 |