1960년대 동인지(同人誌) <현대시>에 나타난 분열증적 육체(schizo-body)의 환상(幻想) 연구 = A Study on Fantasies of Schizo-body in the 1960's Anthology Modern Poetry

국문 초록 (Abstract)

본 연구는 1960년대 동인지 <현대시>에 나타난 비실재적 언어와 내면세계가 빚어내는 ‘환상’을 시적 주체의 욕망과 관련하여 분석하고자 하였다. <현대시>에서 ‘육체’의 이미지를 통해 드러나는 환상은 외디푸스적인 현실에 대한 분열증적 욕망을 보여준다. ‘변신하는 육체’는 인간적인 것에 대한 균열과 비중심화된 체계(acentered system)를 향한 주체의 분열증적 욕망이 가시화된 것이며 파편화된 육체와 죽음에 대한 욕망 역시 합리성과 의식의 논리에 의해 구축된 세계 혹은 몸의 통합적 구성을 전도시키는 사물들로 기능한다. 또한 관능적인 여성의 육체를 통해 드러나는 성애적 환상은 금기의 위반을 통한 탈주 욕망을 드러내는 것이었다. 이처럼 1960년대 동인지 <현대시>에 나타난 분열증적 육체의 환상들은 그들이 ‘타락한 관념’과 ‘비합리의 극(極)’으로 지칭했던 당대 현실 세계에 대한 저항과 도전의 산물로서 시대적 부정성의 적극적 의미를 보여주는 것이다.

다국어 초록 (Multilingual Abstract)

This paper examines the schizo desire of subjects to stir up “fantasy” in the poems of modern poetry in the 1960s. Their poems show resistance against the reality and desire for violation. And it is visible through a typographical ‘body’ in the poem. First, physical transformation is cracked against a ‘human being’ that is firmly structured. This reveals the divisiveness of the subject’s desire for a non-centred system beyond the existing categories of concepts and consciousness. Next, we looked at the fantasy of “disappearing body” and death, which are frequently found in modern poetry. The ‘body to be disassembled’ is usually a symbol of the existential sense of crisis of the subject and has been shaped in a passive and negative manner, but we have noted the poems in modern poetry in which we actively desire death and fragmented flesh. Fragmented body organs, such as falling heads and insects that fall down stairs, are all things that preach the integrated makeup of the body and the world built by rationality and the logic of consciousness. The fantasy of a poetical entity wanting to be dissolved and to die was also to reveal its desire to be narcissistic undifferentiated. Finally, the sexual fantasy revealed through the sensual body was to reveal the violation of taboos and desire to escape from reality through the foreground of female physical and sexual impulses. These different types of fantasy presented through the body were all the products of resistance and challenge to the real world of the time, which they referred to as a “the pole of irrationality.” Modern times, through their fantasies of transformation, disassembled body and sensual body, they sought to re sist repressive reality and the out-of-the-way power of a corrupt society. In their poetry, the fantasies that emerge through a divisive physical body do not stay in aesthetic virtual creation, but show the active meaning of negativity against the real world.