영화 ‘영원’에 나타난 태국의 근대화 양상 = Thai Modernized Aspects in the Movie “Eternity”

다국어 초록 (Multilingual Abstract)

This study examined the aspects of Thai modernization through the characters in the Thai film ‘Eternity’. Conflicts between the characters in this film are a key part of the story, and at its roots, there is a historical power relationship between the characters. Among the characters, I analyzed “Upadi” as a new woman, and “Pabo” as a patriarchal authority, and his nephew “Shangmong” showed the transition of modernization.
The background of the film, 1933, is when Thailand changed its governance system from absolute monarchy to constitutional monarchy. In the process, Westernized modernization took place, and modern woman such as Upadi appeared. Pabo fascinated by Upadi, who is not a traditional woman. Pabo summoned the 'female' Upadi, a nature that had not been seen before, to the modern 'landscape', gaining a re-recognition of the relationship between the subject and the object in the 'landscape' and standing as a modern subject. Upadi actively expresses interest to Sangmong and hopes to live freely. Such desires are symbolized by the devil that opposes the patriarchal ideology and threatens Pabo's authority.
Sangmong shows incompetence, inconsistency, contraction and instability under patriarchy of Pabo like a typical woman supporting her husband. Only after he becomes a madman that he is able to capture the truth he did not want to see, as Foucault said, freeing him from the morals that oppressed him.

참고문헌 (Reference)

1 지브란, 칼릴, 심플리시티 2016

2 기든스, 앤소니, "현대 사회의 성, 사랑, 에로티시즘: 친밀성의 구조변동" 새물결 1996

3 황규희, "태국의 여성단체와 정치참여" 한국태국학회 (14) : 73-104, 2007

4 김영애, "태국사" 한국외국어대학교 출판부 2001

5 서경교, "태국 여성지위의 이중성: 불평등의 현실과 미래의 평등?" 한국태국학회 17 (17): 45-75, 2011

6 조흥국, "태국 여성의 지위와 역할의 변화" 국제지역연구센터 9 (9): 335-362, 2006

7 황규희, "태국 여성의 지위: 쑤코타이 시대-아유타야 시대" 7 : 241-258, 1998

8 가라타니 고진, "일본 근대문학의 기원(일본의 현대 지성 1)" 민음사 1999

9 입센, 헨리크, "인형의 집" 생각의 나무 2010

10 알튀세, 루이, "이데올로기와 이데올로기 국가 장치들" 솔 1995

11 우드, 로빈, "베트남에서 레이건까지" 시간과 언어 1995

12 고메즈, 라비니아, "대상관계 이론" 학지사 2008

13 코넬, "남성성/들" 이매진 2013

14 푸코, 미셸, "광기의 역사" 나남 2003

15 ณั ฐ พ ร ลิ้ ม ป ร ะ สิ ท ธิ์ ว ง ค์, "การเล่าเรื่องและการสร้างลักษณะตัวละครในภาพยนตร์และละครโทรทัศน์ที่มีตัวเอกเป็นสตรีจากเทพปกรณัมกรีก" จุฬาลงกรณ์มหาวิทยาลัย 2011

16 รินบุญ นุชน้อมบุญ, "การออกแบบในงานภาพยนตร์กับบริบทสังคมและวัฒนธรรม: กรณีศึกษาผลงานของหม่อมหลวงพันธุ์เทวนพ เทวกุลในช่วงปีพ.ศ. 2553 –2557" 17 (17): 95-103, 2016

17 พรจันทร์ เสียงสอน., "การนาเสนอผู้หญิงและความรุนแรงในภาพยนตร์ไทย" ท ย า นิพ น ธ์ก า ร ศึก ษ า ต า ม ห ลัก สูต ร ศิล ป ศ า ส ต ร ม ห า บัณ ฑิต( ก า ร สื่อ ส า ร ป ร ะ ยุก ต์) ค ณ ะ ภ า ษ า แ ล ะ ก า ร สื่อ ส า รสถาบันบัณฑิตพัฒนบริหารศาสตร์ 2014

18 Brooks, Peter, "The Melodramatic Imagination" Yale Univ. Press 1976

19 Patana, Suwadee T., "Power, Knowledge and Justice" Ewha Womans University Press 37-84, 2004

20 김정구, "1930년대 상하이 영화의 근대성 연구: 여성의 재현양상을 중심으로" 한국예술종합학교 영상원 2004