芻議戱曲音樂和近現代民族聲樂的發展與融合 ―以歌曲≪山鬼≫爲例 = On the Integration and Development of National Vocal Music and Traditional Opera Music -Take the song “Mountain Ghost”as an example

다국어 초록 (Multilingual Abstract)

戏曲音乐作为中国传统文化中的精粹, 影响着中国传统文化和传统音乐的发展。随着时代的变迁, 戏曲音乐在其发展过程中与近现代民族声乐相互借鉴、融合。本文主要论述的是以歌曲龚琳娜版≪山鬼≫为例, 刍议戏曲音乐与近现代民族声乐的发展与融合。笔者在本文中使用文献研究法和总结归纳法, 通过收集歌曲≪山鬼≫以及近现代民族声乐与戏曲的发展历史文献, 进行整理、查阅、对比分析, 以及对龚琳娜演唱版本≪山鬼≫视频、音频在发音、声腔、舞台表演等方面进行深入分析, 总结论证近现代民族声乐与戏曲音乐在题材、唱腔、舞台表演、伴奏乐器四个方面的相互融合。从而呼吁歌唱者用辩证法看待戏曲音乐与民族声乐的融合与发展。

다국어 초록 (Multilingual Abstract)

As the essence of Chinese traditional culture, opera music affects the development of traditional Chinese culture and traditional music. With the changes of the times, the opera music is learning from and integrating with the modern national vocal music in its development process. This article mainly discusses the development of the opera music and the modern national vocal music by taking the song Gong Linna's version of "Mountain Ghost" as an example. In this paper, the author uses the literature research method and the summary induction method to collect, review, compare and analyze the song “Mountain Ghost” and the historical literature of modern national vocal music and opera, and the video of Gong Linna’s singing version of “Mountain Ghost”. The audio is deeply analyzed in terms of pronunciation, voice chamber, stage performance, etc. The general conclusion is that the modern national vocal music and opera music are integrated in the four aspects of theme, aria, stage performance and accompanying instrument. Therefore, the singer is called to use dialectics to treat the integration and development of opera music and national vocal music.