1920-1930年代 韓國 詩人들의 精神的 志向性의 考察 : 詩語에 나타난 ‘불’의 이미지를 中心으로 = ‘Fire’Images in Modern Korean Poetry

다국어 초록 (Multilingual Abstract)

Image is one of the central structure of poetry. Image of poets is a sign rather than a symbol, and the sign represents being of present, past, and future, about things, happenings, and conditions:Image has an intention.
According to theory of Poetic Imagination of a French scientific philosophist and metaphysician of imagination, Gaston Bachlard, this thesis intends to study the mental intention of Korean important poets from 1920s to 1940s through 'fire' image.
As a result of study, we can see that reverie before fire has three directions by means of the chance of time; direction toward past, toward present, and toward future; reverie of recollection andrecurrence (So-Weol Kim, Jee-Yong Cheong), reverie of present diffusion(Yo-Han Choo, Jeong-Joo Seo), and reverie of transcendence (Yong-Wun Han, Doo-Jin park).
This intends to study about intention of poets through 'fire' image symbolized by language in interrelationships of Korean poetry that plays a role of bridge between Korean modern poetry and Korean contemporary poetry.

목차 (Table of Contents)

• Ⅰ. 緖 論
• Ⅱ. 方法論 및 硏究範圍
• Ⅲ. 想像世界를 통한 '불'
• (1) 回想과 回歸의 夢想
• (ㄱ)金素月 (ㄴ)鄭芝溶
• (2) 現存的 擴散의 夢想
• (ㄱ)朱耀翰 (ㄴ)徐廷柱
• (3) 超越의 夢想
• (ㄱ)韓龍雲 (ㄴ)朴斗鎭
• Ⅳ. 結 論
• 參考文獻
• 英文要約