대중음악 수용방식의 변화와 재즈음악 스타일의 전이: ‘퓨전’(fusion) 스타일 재즈음악의 경우 = Evolvement of Jazz Style and Perception Mode Transition of Popular Music: The Case of ‘Fusion’ Style Jazz Music

다국어 초록 (Multilingual Abstract)

British rock of 1960s, which evolved from the social and political characteristic of American rock’n’roll, formed a reflective context for popular music, the ‘ideology of rock’, which shared the ideal of utopianism based on the spontaneity of musicians and the participation of the audience. The public that came out through the counter-culture era with rock music became aware of the rift between ideals and reality with reflection, and they demanded popular music of enhanced dimension that would satisfy the emotional needs triggered by rock experience. Fusion style jazz music is a creative output, which was attempting to compromise between the sound rightness of rock and the aesthetics of freedom inherent in jazz music by drifting out from the original territory of jazz, and moreover was eventually sublimated into a dynamic style that represents an constantly innovating aesthetic idea of amalgamating the scattered emotions of the counter-cultural masses. Attempting to reconstruct the aesthetics of ‘fusion’ as an aspect of the transition process of the constantly changing jazz style, this paper argues by chasing the theme through Deleuze- Guattari’s art philosophy and Kant’s musical aesthetics. By experimenting with the possibility of jazz’s unique aesthetics of rightness-deconstruction through the sound of rock, fusion traces the aesthetic background of the musical transition that has been subdued as a new style. The aesthetical enhancement of fusion style jazz was accepted by the public by bringing satisfaction of a sense of unity to the emotional dispersion of the counter-cultural public, who recognized the rupture between reality and ideals through the experience of rock, and influenced the convergence styles of later popular music. This illustrates that fusion is not a simple hybrid eclecticism of jazz music that advocates commercialistic popularity, but is a monument to innovation and a process of presenting aesthetic idea that brings new satisfaction to the dispersed emotions of the modern public. This process of aesthetic transition is exemplified through Miles Davis’ ‘jazz-rock’ album Bitches Brew.