조선조 <석전음복연악장(釋奠飮福宴樂章)> 연구 = A Study on Joseon Dynasty`s Seokjeon-eumbokyeon-akjang

다국어 초록 (Multilingual Abstract)

Deung-ga akjang newly made, this paper`s object is Seokjeon-eumbokyeon-akjang. The ceremony of Eumbok[partake of sacrificial food and drink] is a process of memorial services as well as feasts. Dynasty`s inclination of civilized level or praise and wishing a long life for their King is thematic consciousness of the whole akjang works. The works made with a method stuffing the existing Hyang-ak and Dang-ak tunes with a new lyrics are these akjangs. <Bonghwang`eum>, <Manjeonchun>, <Yoonghwa>, <Hanrimga>, <Oryun`ga>, <Napssiga>, exept for the 1st Jak <Yeominrak>, 2nd Jak <Boheoja> and <Cheon`gweon`gok> unconfirmed it is Hyang-ak or Dang-ak tunes, are all the songs played with Hyang-ak. It seems that individuality was pursued in Seokjeon-eumbokyeon- akjang, different from Munseonwang akjang. The nine stanzas of Seokjeon-eumbokyeon-akjang are divided into the first half and the second half with the 5th Jak as the boundary. From the 1st Jak to 4th Jak, writer finished with praise for the King and Joseon Dynasty after showing Confucian and King. In the 5th Jak, he expressed a sort of conviction that they can enjoy good fortune and happiness during countless years. From 6th Jak to 9th Jak, the second half, he showed only the King or Joseon Dynasty as the main object of praise. Although in the national memorial services like Sajik, Jongmyo, Yeongnyeongjeon, we cannot ascertain the existence of each Eumbokyeon-akjang. As a matter of fact, nearly no akjang works matching for size of Seokjeon-eumbokyeon- akjang even in the memorial services out of this category. In addition, for the reason that Munseonwang akjang was imported from successive Chinese dynasties, only with it they could not show their pride or praise dynasty`s inclination of civilized level or Kings` administrative achievements realized with accepting Confucious teachings. Therefore, we can say Seokjeon-eumbokyeon -akjang has an important meaning in the point that it showed in both ideological origin and realistic aspect of Joseon Dynasty.