1970년대 소설의 ‘생체정치’와 ‘재생산된’ 신체 연구

다국어 초록 (Multilingual Abstract)

This paper examines the meaning of the ‘biopolitics’ element of the ‘body’ reproduced in the novels of the 1970s. During this period, modern capitalism deepened and the whole government body mobilized for economic development, thoroughly regulated and controlled by capital and political power. Throughout this process, organized bodies that can not adapt to the current order are mass produced. These bodies are driven to so-called death politics, where even sex, labor, and life are mortgaged in the invisible realm of those excluded from normal life.
The current political power uses the body as an instrument of ideological domination through active intervention and oppression. This control through the body dominates the reason of the individual subject in political, economic, social, cultural integration. Novels such as Choi In-ho’s ‘The Hometown of Stars’ and The Undiscovered, Hwang Seok-young’s ‘The Moment of the Moon’, and Jo Hai-il’s Winter Woman are the stories of the desire of the subject in capitalist urban space. They represent the symbolic phases of biopolitics created by the body of the subject that has fallen within an economic project that promotes developmental dictatorship, marketing businesses that use them as a means of foreign currency creation, and an authoritarian regime policy. In addition, Joe Hae Il’s ‘America’ is another form of biopolitics that evokes colonial reality and conceals the internal sexual inequality structured throughout the intermediary device of ‘Yanggongju’.
These various forms of biopolitics in the 1970s are, as Foucault points out, to the contemporary power, an indispensable element for capitalist development. By means of biometrics and power, man becomes an entity that exists in politics “as a living being as a matter of life itself”. This body is reproduced by adapting to the main economic production systems and methods of capitalism. Of course, the political and capital powers of the present day act in the process of social paradigm structural transformation. Through the biopolitical genealogy of novels in the 1970s, we can investigate the different ways in which bodies are used and manipulated within biopolitical spheres.

목차 (Table of Contents)

• 1. 소설과 신체, 생체정치
• 2. 배제의 기술, 순종적 신체
• 3. 권력과 장치, 생명권력
• 4. 죽음의 정치, 예외상태
• 5. 결론을 대신하여
• 참고문헌
• Abstract

참고문헌 (Reference)

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