슈만 그리고 상호매체성의 이슈들 (2): 슈만의 《크라이슬레리아나》 Op. 16에 나타나는 음악과 문학의 상호매체성 = Robert Schumann and Issues of Intermediality (2): Intermedialty of Music and Literature in Schumann’s Kreisleriana Op. 16

다국어 초록 (Multilingual Abstract)

This study examines Robert Schumann’s ‘literary music,’ analyzing it from a perspective of intermediality. Specifically, I examine how features from E. T. A. Hoffmann’s literary works, “Kreisleriana” (I, II) in Fanstasiestücke in Callot’s Mannier, and Lebensansichten des Katers Murr, were referenced, mediated, and transformed through Schumann’s musical Kreisleriana. To identify the characteristics of intermedial transformation in Schumann's instrumental music, I examine how each of three concepts - “narrative,” “polyphony,” and “character” - are applied differently across each medium. After discussing these issues, the characteristics of the ‘musical’ narrative embodied in Kreisleriana are elaborated: polyphony in narrative structure, polyphony that is realized through various sonic dimensions, characteristics and role of various voices, and musical characterization of a character. Based on this critical examination of how music connects with other media, I present conclusions concerning how literary qualities of Hoffmann’s works were implicitly and differently reflected in Schumann’s Kreisleriana.

참고문헌 (Reference)

1 안소영, "슈만의 피아노 싸이클《환상소품집》에서 나타나는 조성적 연관성" 서양음악연구소 11 : 63-78, 2006

2 김연, "슈만의 싸이클 작품에 나타나는 다층적 이야기 구조" 서양음악연구소 11 : 79-104, 2006

3 이애은, "슈만의 「크라이슬레리아나」에 담긴 이원론적 음악관: ‘병렬구조’와 ‘혼합구조’를 통한 이중성의 표현" 음악연구소 17 (17): 65-89, 2013

4 이미배, "슈만 성격소품의 음악양식적 정의를 위한 시론" 한국음악학학회 20 (20): 7-38, 2012

5 이미배, "슈만 그리고 상호매체성의 이슈들 (1): 상호매체성 논의의 슈만 연구 적용을 위한 이론적 고찰" 서양음악연구소 37 : 65-100, 2021

6 박은경, "수고양이무어의 인생관" 문학동네 583-633, 2014

7 E. T. A. 호프만, "수고양이 무어의 인생관" 문학동네 2014

8 Synofzík, Thomas, "Übergänge: zwischen Künsten und Kulturen" Metzler Verlag 2007

9 Rosen, Charles, "The Romantic Generation" Harvard University Press 1995

10 Barthes, Roland, "The Responsibility of Forms, Critical Essays on Music, Art, and Representation" University of California Press 299-312, 1985

11 Crisp, Deborah, "The Kreisleriana of Robert Schumann and E. T. A. Hoffmann: Some Musical and Literary Parallels" 16 (16): 3-18, 1993

12 Laudon, Robert Tallant, "The Era after the Baroque, Music and the Fine Arts 1750-1900" Pendragon Press 2008

13 Reiman, Erika, "Schumann’s Piano Cycles and the Novels of Jean Paul" University of Rochester Press 2004

14 MacAuslan, John, "Schumann’s Music and E. T. A. Hoffmann’s Fiction" Cambridge University Press 2016

15 Aczel, Richard, "Routledge Encyclopedia of Narrative Theory" Routledge 443-444, 2005

16 Phelan, James, "Routledge Encyclopedia of Narrative Theory" Routledge 500-504, 2005

17 Deahl, Lora, "Robert Schumann’s"Kreisleriana"and Double Novel Structure" 5 : 131-145, 1996

18 Schumann, Robert, "Robert Schumanns Briefe, neue Folge" Breitkopf und Härtel 1886

19 Daverio, John, "Robert Schumann: Herald of a “New Poetic Age.”" Oxford University Press 1997

20 Daverio, John, "Reading Schumann By Way of Jean Paul and His Contemporaries" 30 (30): 28-45, 1990

21 Michaelsen, René, "Metareference across Media" Rodopi 235-258, 2009

22 Schumann, Robert, "Kreisleriana Op. 16, Urtext Edition" G. Henle Verlag

23 Schumann, Robert, "Kreisleriana Op. 16, Robert Schumanns Werke, Serie VII: Für Pianoforte zu zwei Händen" Breitkopf und Härtel 1985

24 Kolb, Jocelyne, "Hoffmann’s"Kreisleriana" : A La Recherche d’une Forme Perdue" 69 (69): 34-44, 1977

25 Krebs, Harald, "Fantasy Pieces, Metrical Dissonance in the Music of Robert Schumann" Oxford University Press 1999

26 Jensen, Eric Frederick, "Explicating Jean Paul: Robert Schumann’s Program for Papillons, Op. 2" 22 (22): 1998

27 Bernhart, Walter, "Essays on Literature and Music (1985-2013). Word and Music Studies 14" Brill 315-338, 2013

28 Charlton, David, "E. T. A. Hoffmann’s Musical Writings: Kreisleriana, The Poet and the Composer, Music Criticism" Cambridge University Press 23-165, 1989