The prophetic imagination criticizes the dominant system, and suggests a vision of ``the Kingdom of God``. The prophetic poetics of Yun connects the Christianism and resistance. "Hometown" in the poetry of Yun, represents the eschatological history. "...
The prophetic imagination criticizes the dominant system, and suggests a vision of ``the Kingdom of God``. The prophetic poetics of Yun connects the Christianism and resistance. "Hometown" in the poetry of Yun, represents the eschatological history. "Another Hometown" in the poetry of Yun, is not the place of the past, but metaphor of the ``Kingdom of God`` and ``the liberation of the motherland`` in the future. ``Sorrow`` in the poetry is the criticism of the dominant system and the pain of the present. The criticism generates the vision of the ``hope``. The poetic subject energizes the history by making the vision of the ``Kingdom of God``. The "Garden" is the representation of the eco-topia as ``the Kingdom of God`` and the liberated motherland. The Garden is an alternative community where the nature, human, and all the creatures live in the symbiosis relation. The representatives of the Christian resistant poets are Kim, Hyun-seung and Park, Doo-jeen as well as Yun, Dong-joo. They delegitimize the colonial authority and declare the coming ``Kingdom of God`` that contains the meaning of the liberated motherland, with the prophetic imagination.