This paper is a study on Zen Priest Ch'oŭi-Ŭisun's poems. Ch'oŭi was one of the representative zen poets in the history of Buddhism literature in late Chosŏn(朝鮮) and was the famous zen priest and artist for Poem(詩), Calligraphy(書), Paintin...
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다국어 초록 (Multilingual Abstract)
This paper is a study on Zen Priest Ch'oŭi-Ŭisun's poems. Ch'oŭi was one of the representative zen poets in the history of Buddhism literature in late Chosŏn(朝鮮) and was the famous zen priest and artist for Poem(詩), Calligraphy(書), Paintin...
This paper is a study on Zen Priest Ch'oŭi-Ŭisun's poems. Ch'oŭi was one of the representative zen poets in the history of Buddhism literature in late Chosŏn(朝鮮) and was the famous zen priest and artist for Poem(詩), Calligraphy(書), Painting(畵), Zen(禪) and Tea(茶).
The arguments for him have mainly been discussed in three parts of his literary world, thoughts of zen(禪) and tea(茶) until now. But his aspects are both a different thing and simultaneously a one and each one is a complex as a indivisible relation which connot be separated one by one. Accordingly, this paper attempted to be faithful to the basic direction of the whole groping for Ch'oŭi's poetry literature.
Also, with Ch'oŭi's literary works, this paper will try to analyze the subsidiary sciences for the main discourse such as his lifetime, period, biography, teacher, the relationship of associates, trends of learning, sense of literature, and so on. We will try to combine the historical methodology with the formalistic methodology for the correct understanding and analysis of his works. So, we aim to make the outcome of research through a deep insight about the whole creative background of works.
Chapter One is a introduction to deal with the direction of this paper, necessity of this study, examination of research history of preceding researchers.
Chapter Two is the formational background of the zen priest Ch'oŭi's poetry literature. We will consider and analyze the overall background on the basis of the times, his teachers, his associate relationship, his scholarly world and poetry consciousness.
Chapter Three is the world of works for the zen and Ch'oŭi's poems. Before the analysis of Ch'oŭi's overall works, I prepared a stepping-stone for the main discourse by introducing the concept and developmental history of zen poem. In terms of analysis of works, we will contrast a transcription Il Zhi-am Si-go 一枝庵詩藁 (Il Zhi-am's Poetry Book) with a wood-block printing Ch'oŭi Si-go 艸衣詩藁 (Ch'oŭi's Poetry Book). We will closely consider three type of works in terms of subject: "Jayŏn ŭi Sŏnmi 自然의 禪味 (tastes of zen in nature)", which is divided with Hanmi 閑味 (tastes of leisure moments), Jayŏn 自然 (Nature), Yŏngmul 詠物 (song of things), Dachan 茶贊 (praise of Tea),
As a conclusion, although Buddhism had weakened in Chosŏn Period, Buddhist Literature has continuously been developed little by little. Therefore, we will make clear that Ch'oŭi in many zen priests had the literary beauty deepen.
목차 (Table of Contents)