當代水墨創作於陰性意象中的語境初探

다국어 초록 (Multilingual Abstract)

In conclusion, the study wants to point out a problematic viewpoint. In the diversified artistic environment of Taiwan, ifourviewpointstillrestsonerroneousequalities, suchas “ink painting equals to the traditional” or “western-styled equals to contemporary,” it is possible for the art of ink painting to be banished forever to the border of the contemporary. It is the author’s belief that, for the art of ink painting to have free exchange with the contemporary, the concepts of L"ecriture Feminine and contemporary ink painting must not be confined to the traditional definitions. It is only on this condition that the hidden feminine aesthetics can serves as crucial evaluation for creative works of painting. This study examines the phenomenon of cultural hybridity within artistic styles and conceptions under the frame of globalization. Through this examination, this study engages the issues of cultural tradition, and taps into the possibility of resurrecting the creative awareness of “feminine aesthetic appreciation” within the contemporary cultural context. From another perspective, within the diversified fields that surround the contemporary art, the artistic value is attempting to absorb postmodern methodologies such as deconstructionism and semiotics, as well as Chinese and Western aesthetics. Through the delineation of this theoretic influence, the study attempt to point out the ideology that places the masculinity over femininity. At the same time, this study examines the signification under different perspectives to endow feminine creative ink painting with a richer aesthetic structure.

목차 (Table of Contents)

• 중문초록
• Ⅰ. 前言
• Ⅱ. 陰性書寫的意涵與界域
• Ⅲ. 陰性審美的內涵價?
• Ⅳ. 以陰性書寫建構的當代水墨創作
• Ⅴ. 結論
• 참고문헌
• Abstract