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      1968 and global cinema

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      https://www.riss.kr/link?id=M15463183

      • 저자
      • 발행사항

        Detroit : Wayne State University Press, [2018] ©2018

      • 발행연도

        2018

      • 작성언어

        영어

      • 주제어
      • DDC

        791.4309046 판사항(23)

      • ISBN

        9780814345429 (printed case)
        0814345425 (printed case)
        9780814342930 (paperback)
        0814342930 (paperback)
        9780814342947 (ebook)
        0814342949 (ebook)

      • 자료형태

        단행본(다권본)

      • 발행국(도시)

        미국

      • 서명/저자사항

        1968 and global cinema / edited by Christina Gerhardt and Sara Saljoughi

      • 형태사항

        vii, 422 pages : illustrations ; 24 cm

      • 총서사항

        Contemporary approaches to film and media series Contemporary approaches to film and media series

      • 일반주기명

        Includes bibliographical references and index

      • 소장기관
        • 국립중앙도서관 국립중앙도서관 우편복사 서비스
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      목차 (Table of Contents)

      • CONTENTS
      • Acknowledgments = vi
      • Introduction. Looking Back : Global Cinema and the Legacy of New Waves around 1968 / Christina Gerhardt ; Sara Saljoughi = 1
      • Ⅰ The Long Sixties : Cinematic New Waves
      • 1 The "Long 1968" and Radical Film Aesthetics / Robert Stam = 23
      • CONTENTS
      • Acknowledgments = vi
      • Introduction. Looking Back : Global Cinema and the Legacy of New Waves around 1968 / Christina Gerhardt ; Sara Saljoughi = 1
      • Ⅰ The Long Sixties : Cinematic New Waves
      • 1 The "Long 1968" and Radical Film Aesthetics / Robert Stam = 23
      • 2 "What Am I Doing in the Middle of the Revolution?" : Ennio Morricone and the Battle of Algiers / Lily Saint = 43
      • 3 Before the Revolution : The Radical Anxiety of Paulo Rocha's Cinema / Rocco Giansante = 61
      • 4 The Czechoslovak New Wave Revisited / Peter Hames = 77
      • 5 Internationalism and the Early Student Films of the German Film and Television Academy Berlin (dffb) / Christina Gerhardt = 95
      • 6 The Hour of the Furnaces : A Film "Happening" / Rita de Grandis = 117
      • 7 Toward a New Mode of Study : The New Student Left and the Occupation of Cinema in Columbia Revolt and the Battlefront for the Liberation of Japan─Summer in Sanrizuka / Morgan Adamson = 145
      • 8 Oshima, Korea, and 1968 : Death by Hanging and Three Resurrected Drunkards / David Desser = 165
      • 9 The Hypothetical and the Experimental : Reading Lindsay Anderson's If... Alongside Pier Paolo Pasolini's Teorema / Graeme Stout = 183
      • 10 Obscurity, Anthologized : Non-Relation and Enjoyment in Love and Anger (1969) / Mauro Resmini = 199
      • Ⅱ Aftershocks
      • 11 Re-presenting the "Just Image" : Godard-Gorin's Vent d'est and the Radical Thwartedness of Maoist Solidarity after May 1968 / Man-tat Terence Leung = 219
      • 12 Medium UnCool : Women Shoot Back ; Feminism, Film, and 1968─A Curious Documentary / Paula Rabinowitz = 241
      • 13 Third Cinema in the First World : L.A. Rebellion and the Aesthetics of Confrontation / Allyson Nadia Field = 273
      • 14 The Politics of (In)Action : Humanism, Violence, and Revolution in Satyajit Ray's Pratidwandi/The Adversary / Sarah Hamblin = 289
      • 15 Maysles Films : Some Paradoxes of Direct Cinema in the 1960s and 1970s / J. M. Tyree = 311
      • 16 The Rhetoric of Parapraxis : The 1967 Riots and Hong Kong Film Theory / Victor Fan = 329
      • 17 Cultural Revolution Models on Film : The Third World Politics of Self-Reflexivity in on the Docks (1972) / Laurence Coderre = 345
      • 18 Workers Interrupting the Factory : Helena Lumbreras's Militant Factory Films between Italy and Spain (1968-78) / Pablo La Parra-Pérez = 363
      • 19 Political Cinema, Revolution, and Failure : The Iranian New Wave, 1962-79 / Sara Saljoughi = 385
      • List of Contributors = 405
      • Index = 409
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      1968 and Global Cinema 양장본 Hardcover

      1968 and Global Cinema addresses a notable gap in film studies. Although scholarship exists on the late 1950s and 1960s New Wave films, research that puts cinemas on 1968 into dialogue with one another across national boundaries is surprisingly lacking. Only in recent years have histories of 1968 begun to consider the interplay among social movements globally.

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