중국 호악(胡樂)의 양상과 개념 변화 = Changes in the Patterns and Concepts of Hu-Music(胡樂)

다국어 초록 (Multilingual Abstract)

In the relevant records of Chinese music, “Hu” is a concept that includes time and space. According to different periods, the geographical and ethnic ranges are also different, so the concept and form of “Hu-music” have also changed. Therefore, in this article, we understand how likes and dislikes unfold according to the trend of The Times in Chinese history. It is discussed whether the geographical category referred to by each era sign or the nationality applies to the word “Hu-music” unchanged, or what it would be like. This study is not only to confirm the term “Hu-music” in Chinese literature, but also to conduct a comprehensive review of the purported region and ethnic group, as well as the speculated records of musical culture related to it, such as instruments and music, according to different periods. Through these, we find out the change of “Hu-music” concept and the relationship between them. In Chinese history, Hu's concept experienced the development of “nationality → region → nationality”, and Hu Le experienced the development of “region → nationality + region → region → nationality”. When Hu-music's concept was not unified, two complementary cultural phenomena were formed.