인간의 조건을 위한 영화 <블레이드 러너> 엔터테인먼트적 기호 연구 = A Study of the Semiotic Definition of Humanity as Entertainment in the Film <Blade Runner>

다국어 초록 (Multilingual Abstract)

<Blade Runner>, first released in 1982, is a science-fiction film directed by Ridley Scott. In Octorber 2017, <Blade Runner 2049>, which was directed by Denis Villeneuve, was released. The two films were set in the post-industrial wasteland of Los Angeles and Sandiego in 2019 and 2049 as a result of negative aspects of technology-oriented society. Replicants who are made for the advanced human life system can be superior to human’s labour power and make judgment like humans. Both films kept us to consider the meaning of human beings in the age of technology-oriented society where both humans and AI robots co-exit. This article will examine significances of both <Blade Runner 2019> and <Blade Runner 2049> in the history of science-fiction films, and then will discuss the conditions of humans and the roles of entertainment industries in the future society rapidly changed by AI techonolgies. In the films, modern technology is depicted as a human arrogance in the film, and the anxiety of human being about fear and lack of affection is set in a whole of visual expressions. Both of the <Blade Runner 2019> and <Blade Runner 2049> reflect the ability of imagination and creativity of human beings as a dominant power even in the technology-oriented future. Along with it, this study suggests to consider the roles of entertainment industries in order to increase the conditions of human beings in the future.

참고문헌 (Reference)

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