거리극 ≪미라클-2010≫의 시·공간 통합적 특징에 관한 연구 - 바흐친의 ‘크로노토프(chronotope)’ 개념을 중심으로 = A Study on The Characteristics of Integrated The Time and Space in The Street Perfromance ‘Miracle-2010’ - Focusing on Bachchin's Concept of Chronotope -

다국어 초록 (Multilingual Abstract)

This study focused on Bakhtin's concept of chronotope on how integrated features of the time and space are being implemented in the street festival performance Miracle-2010. Through this, not only did Bakhtin's concept of chronotope simply analyze the time and space of the performing text, but also found that the time and space of the social context in which the performance exists were an important foundation of performance events and actions.
The characteristics of the Miracle-2010 performance can be seen as the first, creating an integrated performance space of daily life and fictional life, expanding the performance space, and the second, breaking down the boundaries between the audience and the actors throughout the performance, and the third, expanding the mutual participation of the audience and actors. The study argued that these features develop into social practices in which identity formation and ideology of community members are formed.
This allowed us to explain how the actual fictional chronotope was created and used in conjunction with the actual chronotope. In particular, it identifies the timeliness of physical space and makes us aware of the possibility of creating a more extended fictional chronotope. In fact, Bakhtin's concept of chronotope is not limited in the analysis of the performing text. As we saw in the analysis of the actual performance above, the use of the performance can be expanded from the beginning of action through personal experience to the expansion of the carnival concept made by actual social consensus.
Through discussions on the composition and utilization of the chronotope appearing in various street performances, future research will identify how the historical and spatial nature of everyday world is specifically reflected and projected into street performance, and in-depth analysis of the integrated features of the time and space.
This is because Bakhtin's concept of chronotope can provide a new framework for understanding and analyzing the process of creating street art performances. In addition, street performances that guarantee contemporaries in public space may explain how they communicate with the audience through artistic experiences and realize new practices.

참고문헌 (Reference)

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