예브레이노프의 ‘일상 속의 연극성’과 동시대 관객 주도형 퍼포먼스 - 포트 B의 < 완전 대피 매뉴얼(The Complete Manual of Evacuation >을 중심으로 = Evreinov's ‘Theatricality in Daily Life’ and Contemporary audience dominant performance - Focused on Port B's < The Complete Manual of Evacuation >

다국어 초록 (Multilingual Abstract)

Now that the prolonged Corona virus has made it physically difficult to get to the theater, the question of how to meet the theater is becoming important these days. In this situation, this paper attempts to shed light on Nikolai Evreinov’s theatrical theory, that he wanted to find the meaning of the theater in daily life, not on the stage. The most important point of the various theatrical theories that Ereinov unfolded a century ago is that he brought the theater to our lives, daily lives, not to the stage.
Focusimg on Evreinov’s theatrical theory, who sought to find the theater in personal life and daily life, this paper introduced the concepts of ‘theatricality in everyday life’ and ‘theater for oneself’ among his theatrical theories. In addition, in order to understand how these theories can be implemented in concrete and practical terms, I analyzed them in conjunction with the examples of contemporary audience dominant performances.
The contemporary performance targeted for this research is Project Group Port B's < The Complete Manual of Evacuation >. The performance is in line with Evreinov’s concept of ‘theatricality in daily life’ in that it creates theatrical moments in normal daily life by using the most ordinary space as the stage, not a specific space. In addition, there is also a connection with Evreinov’s concept of ‘theater for oneself’ in that the audience participates in the performance as an individual rather than a part of the collective crowd, and completes the performance with their own choices and wills.
Meanwhile, < The Complete Manual of Evacuation > aims to escape from the harsh reality through deviations from everyday life. In other words, this performance suggested the theater as a moment and space to evacuate from life. This can also be seen as a connection with Evreinov’s theatrical theory, who believed that ‘making a life theatrical’ is the only way to save ourselves from cruel life and reality.

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