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      『단순한 이야기』에 나타난 인치볼드의 페미니즘

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      https://www.riss.kr/link?id=A107837557

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      다국어 초록 (Multilingual Abstract)

      Most critics seem to be in agreement that in A Simple Story Elizabeth Inchbald tries to subvert the oppressive patriarchy epitomized by the character of Dorriforth, and view Miss Milner just as a victim of the harsh male-dominant society. However, Inc...

      Most critics seem to be in agreement that in A Simple Story Elizabeth Inchbald tries to subvert the oppressive patriarchy epitomized by the character of Dorriforth, and view Miss Milner just as a victim of the harsh male-dominant society. However, Inchbald’s view on gender problem will become clearer when we look into her play, Wives As They Were And Maids As They Are. In its “Remarks,” she points out a common characteristic of the main characters, Miss Milner and Miss Dorrillon in both works: a woman of “no thought.” Miss Milner is often described as an “unthinking woman” by the author for her behaviors toward Dorriforth, which means it is unlikely that Inchbald intends to portray her as a victim of oppressive patriarchy. At the end of the novel, the author attributes the cause of her tragic life to her “improper education.” Like Miss Milner, Miss Dorrillon also enjoys herself in the social pleasures of London, and is rebellious against any patriarchical restrictions to her pleasures. After all her indulgences, she learns a moral lesson when she was released by her father from jail and at the final scene says, “A maid of the present day shall become a wife like those—of former times.” Through the similar main characters in her novel and play, Inchbald is sending a moral message to young women to behave themselves, which is far from subversive of patriarchy.

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      목차 (Table of Contents)

      • Ⅰ. 서론
      • Ⅱ. “생각이 없는 여인”(Unthinking Woman)
      • Ⅲ. 구세대 부인의 지혜
      • Ⅳ. 결론
      • 인용문헌
      • Ⅰ. 서론
      • Ⅱ. “생각이 없는 여인”(Unthinking Woman)
      • Ⅲ. 구세대 부인의 지혜
      • Ⅳ. 결론
      • 인용문헌
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      참고문헌 (Reference)

      1 박하정, "사랑과 교육의 갈림길 :『단순한 이야기』에 나타난 남성의 이중 역할" 한국영미문학페미니즘학회 15 (15): 31-54, 2007

      2 Bolton, Betsy, "Women, Nationalism, and the Romantic Stage: Theatre and Politics in Britain, 1780-1800" Cambridge UP 2001

      3 Inchbald, Elizabeth, "Wives As They Were And Maids As They Are" P. Wogan 1797

      4 Hazlitt, William, "Sketches and Essays" Oxford UP 1912

      5 Lott, Anna, "Sexual Politics in Elizabeth Inchbald" 34 (34): 635-648, 1994

      6 O’Quinn, Daniel, "Scissors and Needles: Inchbald’s Wives as They Were, Maids as They Are and the Governance of Sexual Exchange" 51 (51): 105-125, 1999

      7 Mellor, Anne K., "Romanticism & Gender" Routledge 1993

      8 Garnai, Amy, "Revolutionary Imaginings in the 1790s: Charlotte Smith, Mary Robinson, Elizabeth Inchbald" Palgrave Macmillan 2009

      9 Frank, Marcie, "Melodrama and the Politics of Literary Form in Elizabeth Inchbald’s Works" 27 (27): 707-730, 2015

      10 Craft-Fairchild, Catherine, "Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women" Pennsylvania State UP 1993

      1 박하정, "사랑과 교육의 갈림길 :『단순한 이야기』에 나타난 남성의 이중 역할" 한국영미문학페미니즘학회 15 (15): 31-54, 2007

      2 Bolton, Betsy, "Women, Nationalism, and the Romantic Stage: Theatre and Politics in Britain, 1780-1800" Cambridge UP 2001

      3 Inchbald, Elizabeth, "Wives As They Were And Maids As They Are" P. Wogan 1797

      4 Hazlitt, William, "Sketches and Essays" Oxford UP 1912

      5 Lott, Anna, "Sexual Politics in Elizabeth Inchbald" 34 (34): 635-648, 1994

      6 O’Quinn, Daniel, "Scissors and Needles: Inchbald’s Wives as They Were, Maids as They Are and the Governance of Sexual Exchange" 51 (51): 105-125, 1999

      7 Mellor, Anne K., "Romanticism & Gender" Routledge 1993

      8 Garnai, Amy, "Revolutionary Imaginings in the 1790s: Charlotte Smith, Mary Robinson, Elizabeth Inchbald" Palgrave Macmillan 2009

      9 Frank, Marcie, "Melodrama and the Politics of Literary Form in Elizabeth Inchbald’s Works" 27 (27): 707-730, 2015

      10 Craft-Fairchild, Catherine, "Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women" Pennsylvania State UP 1993

      11 Castle, Terry, "Masquerade and Civilization: The Carnivalesque in Eighteenth―Century English Culture and Fiction" Methuen 1986

      12 Ward, Candace, "Inordinate Desire: Schooling the Senses in Elizabeth Inchbald’s A Simple Story" 31 (31): 1-18, 1999

      13 Anderson, Misty G., "Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage" Palgrave 2002

      14 Haggerty, George E., "Female Abjection in Inchbald’s A Simple Story" 36 (36): 655-671, 1996

      15 Inchbald, Elizabeth, "Every One Has His Fault" G. G. J. and J. Robinson 1793

      16 Leggatt, Alexander, "English Stage Comedy 1490-1990: Five Centuries of a Genre" Routledge 1998

      17 Breashears, Caroline, "Defining Masculinity in A Simple Story" 16 (16): 451-470, 2004

      18 Edgeworth, Maria, "A Simple Story" Broadview 84-87, 2007

      19 Spencer, Jane, "A Simple Story" Oxford UP 7-20, 1988

      20 Wollstonecreaft, Mary, "A Simple Story" Broadview 381-, 2007

      21 Inchbald, Elizabeth, "A Simple Story" Oxford UP 1988

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-29 학술지명변경 외국어명 : The New Korean Journal of English Lnaguage & Literature -> The New Korean Journal of English Language & Literature KCI등재
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2017-04-21 학회명변경 영문명 : 미등록 -> The New Korean Association of English Language and Literature KCI등재
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2008-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2005-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2004-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.17 0.17 0.18
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.19 0.17 0.441 0.06
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