아이웨이웨이(艾未未)의 작품 속 오브제를 통한 기억 재현 = Memory and Representation through Objects in Ai Weiwei’s Art Works

다국어 초록 (Multilingual Abstract)

Ai weiwei(1957-) is an installation work through objets, containing a common memory of the relationship between individuals and groups, the relationship between humans and society, the subversion and dissolution of traditions, and the inner trauma of the community. From the 1980s, he began to produce works using everyday objects such as clothes, hangers, shoes, and furniture, and since the 1990s, he has carried out handicraft and labor-intensive large-scale installations through repetition, arrangement, overlapping, and accumulation. Ai weiwei uses the formative principle that leads to repetition and overlap of everyday objects, dissolution and distortion, and through this, reveals private and public memories, and reveals the formative characteristics in two opposing perspectives in which a single entity is infinitely created and dismantled. As such, metaphors through objets bring back memories from forgetting about existence and absence, and these works make people confront uncomfortable memories of the past and look back on personal values hidden in the group. The purpose of this thesis is to examine the social characteristics of memories and representations of history and disasters through works using Ai Weiwei's objects, and to identify and analyze the characteristics of primary historical and secondary collective memories. Furthermore, these works are meaningful in that they go beyond the auxiliary function of memory on the premise of oblivion, and serve as a complementary function to ‘Remembering’ the reality that China is trying to conceal and suppress politically, socially and culturally.

참고문헌 (Reference)

1 邵亦杨, "｢无尽的社会风景推荐｣, [上海艺术评论](02), 2016年刘权, ｢难民与艺术｣" (02) : 2017

2 김학이, "얀 아스만의 "문화적 기억"" 33 : 2005

3 아이웨이웨이, "아이웨이웨이 블로그" 미메시스 2014

4 태지호, "문화콘텐츠에 재현된 집단 기억의 문화기호학적 의미 연구" 한국기호학회 43 : 89-116, 2015

5 알라이다 아스만, "기억의 공간" 그린비 2011

6 김계환, "기억으로서의 영상매체와 기억산업의 문화콘텐츠 - 중국 6세대 영화의 대항기억을 중심으로 -" 한국콘텐츠학회 9 (9): 163-172, 2009

7 劉永仁, "艾未未．缺席"

8 邵亦杨, "无尽的社会风景推荐" (02) : 2016

9 袁圣婴, "剥开瓜子现果仁—从艾未未《葵花籽》看中国当代艺术的文化尴尬" (03) : 2011

10 湛素丹, "“颠覆”元素—《童话》的形式与意义" (07) : 2013

11 "http://www.sothebys.com/en/auctions/ecatalogue/2015/modern-contemporary-asian-art-evening-sale-hk0581/lot.1075.html"

12 "The Moral Crisis in China: Part I-Seven Areas that Showcase China's Moral Crisis" (55) : 2012

13 Antony Gormley, "By harming Ai Weiwei, China only harms itself"

14 Raphael Abraham, "Ai Weiwei’s Coronation documents the pandemic from its beginnings in Wuhan"

15 "Ai Weiwei‘s Coronation"

16 "Ai Weiwei hüllt Konzerthaus in Rettungswesten"