The politics of memory in Sinophone cinemas and image culture altering archives

목차 (Table of Contents)

• CONTENTS
• Notes on contributors = vii
• Acknowledgments = x
• Introduction / Peng Hsiao-Yen ; Ella Raidel = 1
• PART Ⅰ Remembering China : the individual self, the collective, and the state apparatus = 15
• 1 Why remember everyday movie-going in Cultural Revolution Shanghai? / Chris Berry = 17
• 2 Persuasive communication in Chinese historical film : The Founding of a Republic as a milestone / Isabel Wolte = 32
• 3 Images of redress and rehabilitation : "pingfan (in) film" and perceptions of coming to terms with the past in China / Agnes Schick-Chen = 46
• 4 A familiar stranger : Grierson in China / Lu Xinyu = 67
• PART Ⅱ Politicizing archives : artists and digital history = 85
• 5 The use and abuse of archives in contemporary art / Hongjohn Lin = 87
• 6 Making reverberation : residue of sounds and images / Chen Chieh-Jen = 102
• 7 The digital emergence of a new history : the archiving of colonial Japanese documentaries on Taiwan / Yu-Lin Lee = 113
• PART Ⅲ Manufactured archives : the fictional memory = 129
• 8 Wong Kar-wai's Mood Trilogy : robot, tears, and the affective aura / Peng Hsiao-Yen = 131
• 9 The missing and the fictional memory : leitmotifs of Tsai Ming-liang's oeuvre / Ella Raidel = 142
• 10 Light and shadow of jianghu : peering into the contemporary political mythology in Crouching Tiger, Hidden Dragon, Hero and The Grandmaster / Sandy Hsiu-Chih Lo = 163
• Index = 185