<AbsText> ONE character cannot redeem a bad play, not even when it is played by Edith Evans. But if the performance is rich enough, as in Daphne Laureola, it may hide the cracks and crudities of the craftsmanship. This theatrical ma...
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https://www.riss.kr/link?id=O122074944
1949년
eng
0041-2821
학술저널
PHP / Magazines / Review
22 [※수록면이 p5 이하이면, Review, Columns, Editor's Note, Abstract 등일 경우가 있습니다.]
0
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다운로드다국어 초록 (Multilingual Abstract)
<AbsText> ONE character cannot redeem a bad play, not even when it is played by Edith Evans. But if the performance is rich enough, as in Daphne Laureola, it may hide the cracks and crudities of the craftsmanship. This theatrical ma...
<AbsText> ONE character cannot redeem a bad play, not even when it is played by Edith Evans. But if the performance is rich enough, as in Daphne Laureola, it may hide the cracks and crudities of the craftsmanship. This theatrical magic is distilled by Dame Edith at Wyndhams, and almost conceals the essential absurdity of the story. </AbsText>
Ease and Endurance: X. Marcel Boulestin. Home & Van Thal. 10/6
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