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      영화 <디 아워스>에서 시간 속에 갇힌 인물들 = Trapped in Time: The Portrayal of the Characters in The Hours

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      https://www.riss.kr/link?id=A104184931

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      다국어 초록 (Multilingual Abstract)

      Stephen Daldry`s The Hours (2002) is an adaptation of Michael Cunningham`s The Hours: The Novel (1998), which recreates Virginia Woolf`s Mrs. Dalloway (1925). In Daldry`s film, as in Cunningham`s novel, Woolf herself appears as a character, and we are introduced to different versions of Clarissa Dalloway in different periods. In this unique postmodern text, the characters resemble one another, each becoming someone else`s reference. In a way, all of them are trapped in time―either the present or the past―and cannot move on with their lives. Virginia, a writer in the 1920s UK, suffers from depression surrounded by the stifling patriarchal medical authority; Laura, a lesbian housewife living in LA in the 1950s, feels suffocated in her heterosexual marriage; Clarissa, a lesbian book editor in 2000s New York, is still caught up in the memory of her unfulfilled love of a long time ago. This paper discusses how the film narrativizes and visualizes the characters` feelings of confinement not only through the unique storyline and characterization but also through specific film techniques. It also analyzes how the characters` acts of creation such as cooking or writing are portrayed as important methods of enduring and escaping time.
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      Stephen Daldry`s The Hours (2002) is an adaptation of Michael Cunningham`s The Hours: The Novel (1998), which recreates Virginia Woolf`s Mrs. Dalloway (1925). In Daldry`s film, as in Cunningham`s novel, Woolf herself appears as a character, and we are...

      Stephen Daldry`s The Hours (2002) is an adaptation of Michael Cunningham`s The Hours: The Novel (1998), which recreates Virginia Woolf`s Mrs. Dalloway (1925). In Daldry`s film, as in Cunningham`s novel, Woolf herself appears as a character, and we are introduced to different versions of Clarissa Dalloway in different periods. In this unique postmodern text, the characters resemble one another, each becoming someone else`s reference. In a way, all of them are trapped in time―either the present or the past―and cannot move on with their lives. Virginia, a writer in the 1920s UK, suffers from depression surrounded by the stifling patriarchal medical authority; Laura, a lesbian housewife living in LA in the 1950s, feels suffocated in her heterosexual marriage; Clarissa, a lesbian book editor in 2000s New York, is still caught up in the memory of her unfulfilled love of a long time ago. This paper discusses how the film narrativizes and visualizes the characters` feelings of confinement not only through the unique storyline and characterization but also through specific film techniques. It also analyzes how the characters` acts of creation such as cooking or writing are portrayed as important methods of enduring and escaping time.

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      참고문헌 (Reference)

      1 성정희, "영화 <디 아워스(The Hours)>에 나타난 인물 변용과 댈러웨이 부인의우울증 해소 과정" 4 : 261-280, 2010

      2 박민영, "영화 <디 아워스(The Hours)>에 나타난 이미지의 상징성" 국제언어문학회 (34) : 273-294, 2016

      3 고현철, "소설 『디 아워스』와 영화 <디 아워스>의 포스트모더니즘적 성격과 그 해석" 문학과영상학회 8 (8): 39-60, 2007

      4 김정, "내포에서 외연으로: 소설 [시간들]에서 영화 [디 아워스]로" 한국제임스조이스학회 9 (9): 193-217, 2003

      5 Barthes, Rolan, "Theories of Authorship: A Reader" Routledge 208-213, 1999

      6 Pidduck, Julianne, "The Times of The Hours: Queer Melodrama and the Dilemma of Marriage" 28 (28): 37-67, 2013

      7 Sheehan, Maureen, "The Hours: The ‘As-If’ Personality and Problems of Loving" 49 : 413-420, 2004

      8 Cunningham, Michael, "The Hours: A Novel" Picador 1998

      9 "The Hours. Dir. Stephen Daldry. Perf. Nicole Kidman, Julianne Moore, Meryl Streep. Paramount Pictures, 2002. Film"

      10 Ingersoll, Earl G., "Screening Woolf: Virginia Woolf on/and/in Film" Fairleigh Dickinson UP 2017

      1 성정희, "영화 <디 아워스(The Hours)>에 나타난 인물 변용과 댈러웨이 부인의우울증 해소 과정" 4 : 261-280, 2010

      2 박민영, "영화 <디 아워스(The Hours)>에 나타난 이미지의 상징성" 국제언어문학회 (34) : 273-294, 2016

      3 고현철, "소설 『디 아워스』와 영화 <디 아워스>의 포스트모더니즘적 성격과 그 해석" 문학과영상학회 8 (8): 39-60, 2007

      4 김정, "내포에서 외연으로: 소설 [시간들]에서 영화 [디 아워스]로" 한국제임스조이스학회 9 (9): 193-217, 2003

      5 Barthes, Rolan, "Theories of Authorship: A Reader" Routledge 208-213, 1999

      6 Pidduck, Julianne, "The Times of The Hours: Queer Melodrama and the Dilemma of Marriage" 28 (28): 37-67, 2013

      7 Sheehan, Maureen, "The Hours: The ‘As-If’ Personality and Problems of Loving" 49 : 413-420, 2004

      8 Cunningham, Michael, "The Hours: A Novel" Picador 1998

      9 "The Hours. Dir. Stephen Daldry. Perf. Nicole Kidman, Julianne Moore, Meryl Streep. Paramount Pictures, 2002. Film"

      10 Ingersoll, Earl G., "Screening Woolf: Virginia Woolf on/and/in Film" Fairleigh Dickinson UP 2017

      11 Fetzer, Margret, "Reading as Creative Intercourse: Michael Cunningham’s and Stephen Daldry’s The Hours" 19 (19): 65-83, 2008

      12 Tan, Yuh-yi., "Phantasies, Motherhood, and Genealogy in The Hours" 22 : 105-153, 2009

      13 Woolf, Virginia, "Mrs. Dalloway" Harvest Books 1953

      14 LeBlanc, Michael, "Melancholic Arrangements: Music, Queer Melodrama, and the Seeds of Transformation in The Hours" 21 (21): 105-145, 2006

      15 AbdelRahman, Fadwa, "From Page to Celluloid: Michael Cunningham’s The Hours" 28 : 150-164, 2008

      16 Michlin, Monica, "Expanding Adaptation: Intertextuality and Remediation in Stephen Daldry’s The Hours" 34 (34): 139-164, 2012

      17 Wiener, Diane R, "Depression and Narrative:Telling the Dark" State U of New York P 157-164, 2008

      18 Woolf, Virginia, "Authors on Film" Indiana UP 86-91, 1972

      19 Schiff, James., "An Interview with Michael Cunningham" 26 (26): 111-128, 2003

      20 Dolan, Josephine, "Adaptation in Contemporary Culture: Textual Infidelities" Continuum 174-185, 2009

      21 Leavenworth, Maria Lindgren, "A Life as Potent and Dangerous as Literature Itself: Intermediated Moves from Mrs. Dalloway to The Hours" 43 (43): 503-523, 2010

      22 Chatman, Seymore, "A Companion to Narrative Theory" Blackwell 269-281, 2008

      23 박인영, "<디 아워스>의 오프닝 시퀀스 연구" 한국영화학회 (59) : 157-183, 2014

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      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
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      2008-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2006-06-15 학회명변경 영문명 : The Korean Society For Feminist Studies In English Literature -> The Korean Association For Feminist Studies in English Literature KCI등재
      2006-01-01 평가 등재학술지 유지 (등재유지) KCI등재
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      2001-07-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      1999-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.18 0.18 0.12
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.11 0.1 0.406 0
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