現代建築의 轉化에 關한 硏究 = A study on the Transformation in the Modern Architecture

다국어 초록 (Multilingual Abstract)

A modern architecture was indebted to development of scientific technology and modern artistic movement in a great deal and it was influenced by socio-cultural evolution since the Industrial Revolution, A struggle was matured to overcome the admiration and following to classical ones in the 19th century. Thus, an architectural (artistic) movement is to be settled from 1900 to 1970 as a point of occurrance in the study, and the purpose of this study is to defin There characteristics by There step-by-step characteristics. It can be summarized as follows.
1) Breakway Period(1900-1910)
The period was conformed to a period of Art Nouveau line movement as a period of breakway for the past pattern in the 19th century. This movement was opposed to the mass product of impersonal industrial art objects due to the past style and occurred in France and Belgium under the influence of Art and Craft movement Which emphasized morality and sociality.
2) Formative Period of Modern Architecture(1910-1920)
This period was the one that the Cubism established a new conception of model in the 20th century as a grafting Period between Architecture and Painting and sculpture in this period. The characteristics of this period was that an effort introducing a graphic conception of space to the architecture was vigorous because it was easy to predict and develop a new conception to the space and significantly expect a functional and formative problem that will be solved comparing painting sculpture to architecture because the both Painting sculpture were pure arts.
3) Period of puberty(1920-1950)
the Bauhaus that was established by an influence of the Cubism and the Neo-Plastism movement with the basis of weimar Art School was a formative school to pursue a functional and reasonabls beauty and to synthesize a kind of art and skill with the basis of the modern industrial technology The idea that this school Pursued gave an influence to the establishment of functinal in ternatinal architecture and had made a mainstream of the interna ional style for 50years since 1925
4) The Tendency since(1950-)
As a social structure was changed from verticality to horizontality, the artistic pattern was also changed into a multitude-oriented artistic Pattern and inhumanistic unitormity was break down due to a functional and resonable logic of thought by the International school in the tendency that the architecture was not a subordinate Products of the special classes or master builder any more and became a flexible one for the its users activities and formation of society. And it was insisted by them that a variety and response were to be reflected as a change, flexibility, and movement humanely. So in the architecture.