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    섀런 올즈의 에로스의 목소리 = The Voice of Eros in the Poetry of Sharon Olds

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    https://www.riss.kr/link?id=A100053827

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    This article is an effort to characterize the poetical subject of Sharon Olds by examining her erotic voice. She strategically uses the most provocative language, such as cock and cunt, to shock readers, while shamelessly exposing not only sexual activities of her own but also those of her parents, sister, and children. Her popularity among general readers, apparently coming from her wide openness to sex, sometimes arouses critical response that she is sensational, repetitive, and shallow. However, Olds’s scandalous language is often successful in charming readers to listen to her inner voice, erotic as it may be, to what goes beyond sensationalism. First, Olds’s sensational verbal usage can be acknowledged as a legitimate approach to literature if only supported by her candidness, and contributable to conjuring up thematic potentialities as in “The Pope’s Penis” and “Ode to the Clitoris.” Second, her seeming repetitiveness harbors varieties and even developments as the motif of sex and love changes from about parents’ puritanical pressure to about her father on his deathbed, and to about divorced husband. Additionally, her poetry sometimes deals with other subject-matters than sexual eroticism as in “Still Life in Landscape.” Third, in her most successful poems, such as “Sex without Love” and “Stag’s Leap,” she is so versed at using multi-layered metaphors, and so complicated in responding to sex and body, as to show her sense of balance and thematic depth.
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    This article is an effort to characterize the poetical subject of Sharon Olds by examining her erotic voice. She strategically uses the most provocative language, such as cock and cunt, to shock readers, while shamelessly exposing not only sexual acti...

    This article is an effort to characterize the poetical subject of Sharon Olds by examining her erotic voice. She strategically uses the most provocative language, such as cock and cunt, to shock readers, while shamelessly exposing not only sexual activities of her own but also those of her parents, sister, and children. Her popularity among general readers, apparently coming from her wide openness to sex, sometimes arouses critical response that she is sensational, repetitive, and shallow. However, Olds’s scandalous language is often successful in charming readers to listen to her inner voice, erotic as it may be, to what goes beyond sensationalism. First, Olds’s sensational verbal usage can be acknowledged as a legitimate approach to literature if only supported by her candidness, and contributable to conjuring up thematic potentialities as in “The Pope’s Penis” and “Ode to the Clitoris.” Second, her seeming repetitiveness harbors varieties and even developments as the motif of sex and love changes from about parents’ puritanical pressure to about her father on his deathbed, and to about divorced husband. Additionally, her poetry sometimes deals with other subject-matters than sexual eroticism as in “Still Life in Landscape.” Third, in her most successful poems, such as “Sex without Love” and “Stag’s Leap,” she is so versed at using multi-layered metaphors, and so complicated in responding to sex and body, as to show her sense of balance and thematic depth.

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    참고문헌 (Reference)

    1 Olds, Sharon, "The Wellspring" Knopf 1996

    2 Olds, Sharon, "The Unswept Room" Knopf 2002

    3 Olds, Sharon, "The Gold Cell" Knopf 1987

    4 Olds, Sharon, "The Father" Knopf 1992

    5 Olds, Sharon, "The Dead and the Living" Knopf 1984

    6 Olds, Sharon, "Strike Sparks: Selected Poems 1980-2002" Knopf 2004

    7 Olds, Sharon, "Stag’s Leap" Knopf 2012

    8 Olds, Sharon, "Satan Says" U of Pittsburgh P 1980

    9 Sutton, Brian, "Poetry Criticism, Vol. 22" Gale Research 1999

    10 McDiarmid, Lucy, "Poetry Criticism, Vol. 22" Gale Research 1999

    1 Olds, Sharon, "The Wellspring" Knopf 1996

    2 Olds, Sharon, "The Unswept Room" Knopf 2002

    3 Olds, Sharon, "The Gold Cell" Knopf 1987

    4 Olds, Sharon, "The Father" Knopf 1992

    5 Olds, Sharon, "The Dead and the Living" Knopf 1984

    6 Olds, Sharon, "Strike Sparks: Selected Poems 1980-2002" Knopf 2004

    7 Olds, Sharon, "Stag’s Leap" Knopf 2012

    8 Olds, Sharon, "Satan Says" U of Pittsburgh P 1980

    9 Sutton, Brian, "Poetry Criticism, Vol. 22" Gale Research 1999

    10 McDiarmid, Lucy, "Poetry Criticism, Vol. 22" Gale Research 1999

    11 Ostriker, Alicia, "Poetry Criticism, Vol. 22" Gale Research 1999

    12 Scheponik, Peter C., "Olds’s ‘The Pope’s Penis’" Literature Resource Center 59 (59): 52-, 2000

    13 McGiveron, Rafeeq O., "Olds’s ‘Sex without Love’" Literature Resource Center 58 (58): 60-, 1999

    14 Olds, Sharon, "Ode to the Clitoris" Literature Resource Center 86 (86): 10-, 2012

    15 Edgar, Suzanne, "From Under Love’s Table" Literature Resource Center 50 (50): 89-, 2006

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    2013-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2010-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2009-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2007-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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