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      섀런 올즈의 에로스의 목소리 = The Voice of Eros in the Poetry of Sharon Olds

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      https://www.riss.kr/link?id=A100053827

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      다국어 초록 (Multilingual Abstract)

      This article is an effort to characterize the poetical subject of Sharon Olds by examining her erotic voice. She strategically uses the most provocative language, such as cock and cunt, to shock readers, while shamelessly exposing not only sexual activities of her own but also those of her parents, sister, and children. Her popularity among general readers, apparently coming from her wide openness to sex, sometimes arouses critical response that she is sensational, repetitive, and shallow. However, Olds’s scandalous language is often successful in charming readers to listen to her inner voice, erotic as it may be, to what goes beyond sensationalism. First, Olds’s sensational verbal usage can be acknowledged as a legitimate approach to literature if only supported by her candidness, and contributable to conjuring up thematic potentialities as in “The Pope’s Penis” and “Ode to the Clitoris.” Second, her seeming repetitiveness harbors varieties and even developments as the motif of sex and love changes from about parents’ puritanical pressure to about her father on his deathbed, and to about divorced husband. Additionally, her poetry sometimes deals with other subject-matters than sexual eroticism as in “Still Life in Landscape.” Third, in her most successful poems, such as “Sex without Love” and “Stag’s Leap,” she is so versed at using multi-layered metaphors, and so complicated in responding to sex and body, as to show her sense of balance and thematic depth.
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      This article is an effort to characterize the poetical subject of Sharon Olds by examining her erotic voice. She strategically uses the most provocative language, such as cock and cunt, to shock readers, while shamelessly exposing not only sexual acti...

      This article is an effort to characterize the poetical subject of Sharon Olds by examining her erotic voice. She strategically uses the most provocative language, such as cock and cunt, to shock readers, while shamelessly exposing not only sexual activities of her own but also those of her parents, sister, and children. Her popularity among general readers, apparently coming from her wide openness to sex, sometimes arouses critical response that she is sensational, repetitive, and shallow. However, Olds’s scandalous language is often successful in charming readers to listen to her inner voice, erotic as it may be, to what goes beyond sensationalism. First, Olds’s sensational verbal usage can be acknowledged as a legitimate approach to literature if only supported by her candidness, and contributable to conjuring up thematic potentialities as in “The Pope’s Penis” and “Ode to the Clitoris.” Second, her seeming repetitiveness harbors varieties and even developments as the motif of sex and love changes from about parents’ puritanical pressure to about her father on his deathbed, and to about divorced husband. Additionally, her poetry sometimes deals with other subject-matters than sexual eroticism as in “Still Life in Landscape.” Third, in her most successful poems, such as “Sex without Love” and “Stag’s Leap,” she is so versed at using multi-layered metaphors, and so complicated in responding to sex and body, as to show her sense of balance and thematic depth.

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      참고문헌 (Reference)

      1 Olds, Sharon, "The Wellspring" Knopf 1996

      2 Olds, Sharon, "The Unswept Room" Knopf 2002

      3 Olds, Sharon, "The Gold Cell" Knopf 1987

      4 Olds, Sharon, "The Father" Knopf 1992

      5 Olds, Sharon, "The Dead and the Living" Knopf 1984

      6 Olds, Sharon, "Strike Sparks: Selected Poems 1980-2002" Knopf 2004

      7 Olds, Sharon, "Stag’s Leap" Knopf 2012

      8 Olds, Sharon, "Satan Says" U of Pittsburgh P 1980

      9 Sutton, Brian, "Poetry Criticism, Vol. 22" Gale Research 1999

      10 McDiarmid, Lucy, "Poetry Criticism, Vol. 22" Gale Research 1999

      1 Olds, Sharon, "The Wellspring" Knopf 1996

      2 Olds, Sharon, "The Unswept Room" Knopf 2002

      3 Olds, Sharon, "The Gold Cell" Knopf 1987

      4 Olds, Sharon, "The Father" Knopf 1992

      5 Olds, Sharon, "The Dead and the Living" Knopf 1984

      6 Olds, Sharon, "Strike Sparks: Selected Poems 1980-2002" Knopf 2004

      7 Olds, Sharon, "Stag’s Leap" Knopf 2012

      8 Olds, Sharon, "Satan Says" U of Pittsburgh P 1980

      9 Sutton, Brian, "Poetry Criticism, Vol. 22" Gale Research 1999

      10 McDiarmid, Lucy, "Poetry Criticism, Vol. 22" Gale Research 1999

      11 Ostriker, Alicia, "Poetry Criticism, Vol. 22" Gale Research 1999

      12 Scheponik, Peter C., "Olds’s ‘The Pope’s Penis’" Literature Resource Center 59 (59): 52-, 2000

      13 McGiveron, Rafeeq O., "Olds’s ‘Sex without Love’" Literature Resource Center 58 (58): 60-, 1999

      14 Olds, Sharon, "Ode to the Clitoris" Literature Resource Center 86 (86): 10-, 2012

      15 Edgar, Suzanne, "From Under Love’s Table" Literature Resource Center 50 (50): 89-, 2006

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2024 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 선정 (계속평가) KCI등재
      2020-12-01 평가 등재후보로 하락 (재인증) KCI등재후보
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2009-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2007-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
      2005-06-29 학회명변경 한글명 : 21영어영문학회 -> 21세기영어영문학회
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      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.25 0.25 0.25
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.26 0.25 0.49 0.07
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