교화와 설득을 통한 치유와 회복의 힘 : 『페리클레스』를 중심으로 = The Restoration of Identity through Edification and Persuasion in Shakespeare`s Pericles

다국어 초록 (Multilingual Abstract)

Shakespeare`s Pericles is categorized as a romance play along with Cymbeline, The Winter`s Tale and The Tempest because they share similarities in theme, plot and storyline. These works are all variations using elements such as adventure and wandering, separation and reunion, marvelous visions, and the fusion of comic and tragic aspects in each work. This article purposes to explore the generic features of Shakespeare`s romance plays and study the representation of female figures in Pericles. It is certain that female figures such as the daughter of Antiochus, Thaisa, and Marina have significant effects on Pericles` journey. When he loses his identities as a father and ruler of Tyre through his repeated sufferings, female characters help him retrieve them. While Shakespeare deliberatively portrays Pericles as a vulnerable person with patience in front of his destiny, he inspires the female characters with progressiveness and spirit of challenge. It is very important to examine the different aspects of male and female figures represented in the play to understand this work because these features are not expected to be seen as general characteristics for male and female figures in Renaissance where Shakespeare lived. Especially, Marina, the only daughter and heiress of Pericles, has active energies to save herself from adversities and give vigor to his father`s life full of the images of seclusion and escape. With her own persuasive power, she edifies, consoles, and exhorts male figures to live better lives. And finally, she leads this play to be converted from tragedy to comedy. Thus, it seems that the relationship between men and women generally accepted in Renaissance is modified in a roundabout way to find the new model of male and female befitting to a new era by endowing female figures with abilities to lead this play and describe their mature attitude to life.

목차 (Table of Contents)

• Ι. 서론
• Ⅱ. 마리나(Marina)에 발현되는 교화와 설득의 힘
• Ⅲ. 페리클레스(Pericles)의 정체성의 회복과정
• Ⅳ. 결론
• 참고문헌
• 〈Abstract〉

참고문헌 (Reference)

1 엘렌 식수, "메두사의 웃음 출구" 동문선 2004

2 Woodbridge, Linda, "“Green Shakespeare.” Shakespearean Criticism" 150 : 24-50, 2013

3 Bieman, Elizabeth, "William Shakespeare : The Romances" Twayne Publishers 1990

4 Mclean, Ian, "The Renaissance Notion of Woman : A Study in the Fortunes of Scholasticism and Medical Science in European Intellectual Life" Cambridge UP 1980

5 Eaton, Sara, "The Matter of Difference : Materialist Feminist Criticism of Shakespeare" Cornell UP 1991

6 Stone, Lawrence, "The Family, Sex, and Marriage in England 1500-1800" enguin Books 1990

7 Shakespeare, William, "The Arden Shakespeare : Pericles" Thomson Learning 2004

8 Adelman, Janet, "Suffocating Mothers: Fantasies of Mothernal Origin in Shakespeare`s Plays, Hamlet to The Tempest" Routledge 1992

9 Charlton, H. B, "Shakespearian Comedy" Methuen 1938

10 Felperin, Howard, "Shakespearean Romance" Princeton UP 1972

11 Ewbank, Inga-Stina, "Shakespeare`s Styles : Essays in Honor of Kenneth Muir" Cambridge UP 1980

12 Fawkner, H. W, "Shakespeare`s Miracle Plays" Associated UP 1992

13 Strachey, Lytton, "Shakespeare`s Final Period" Chatto & Windus Ltd 1950

14 French, Marilyn, "Shakespeare`s Division of Experience" Ballantine 1981

15 Muir, Kenneth, "Shakespeare`s Comic Sequence" Barnes &Noble 1979

16 Dusinberre, Juliet, "Shakespeare and the Nature of Women" St. Martin`s P Inc 1999

17 Traversi. Derek, "Shakespeare : The Last Phase" Stanford UP 1969

18 Novy, Marianne, "Love`s Argument: Gender Relations in Shakespeare" U f North Carolina P 1984

19 Neely, Carol Thomas, "Broken Nuptials in Shakespeare`s Plays" Yale UP 1985

20 Wright, Courtni C, "Analysis of the Role of the omen in Selected Plays with Plot Synopses and Selected One Act Plays" UP of America 1993

21 Frye, Northrop, "A Natural Perspective : The Development of Shakespeare`s Comedy and Romances" Harcourt, Brace & World 1965