안동 하회탈의 이미지를 응용한 도자 조형 연구 = A Research on Porcelain Formative Art applying Andong Hahoe Mask Image

다국어 초록 (Multilingual Abstract)

This paper researched on porcelain formative art applying images with focus on formativeness of Andong Hahoe mask.
As for research methods, the researcher studied the origin and construction of Hahoe mask by consulting the reference documents and theses to propose theoretic basis, and examined the kinds and roles of Hahoe mask by understanding the intrinsic characteristics and meanings.
The researcher intended to produce formative art works with an ultimate visual effects by understanding the shapes, colors, and lines, learning the morphological, abstract, and intrinsic meaning through the aesthetic rituals of Hahoe mask, and grafting the the inner mind image of the wearer onto a porcelain formation based on theoretic examination and various formations, etc of the works applying Hahoe mask.
The researcher sought for new approaches and potentials for traditional image porcelain forms have, modern formative beauty, and the dynamic character of mask, and examined various possibilities of expression of objet through objective approach towards works.
By examining theoretic researches on porcelain forms to which Andong Hahoe masks are applied and the characteristics of 9 images of Hahoe masks, re-discovering the formative characteristics, applying their characteristics, and expressing them as formative art works, the following conclusions were obtained.
The examination of the 9 images of Andong Hahoe masks and the formative characteristics have shown the possibilities of unlimited applications of images, sublimation of masks comprehending dual meanings up to an art work, and various approaches to porcelain forms through art work examples to which Hahoe mask is applied.
Based on this research, by producing porcelain forms comprehending image applied intrinsic mind of the wearer to an art work in which formative characteristics of a material was highlighted, the following conclusions were obtained.
In applying the images of Hahoe masks, it was shown that the strong image of pottery adds uniqueness, and is helpful in comprehending morphological, abstract, and intrinsic meaning that may be felt in the innermost consciousness of the beauty of Hahoe mask. It was also concluded that Hahoe mask images can be creatively re-interpreted in personal expression depending on the subject of the research.
It was concluded that Andong Hahoe masks have values as art works with artistic formativeness, raise the value by grafting with various works, and by surpassing the limitation of the works, can afford free expressions. In addition, it was also concluded that it does not necessarily stick only to one unified Korean style, but can be approached as unlimited types of art works and porcelain forms through efforts to maximally enhance its excellent formativeness and sense of beauty.
This research was limited to reproducing only the motif of masks with emphasis on objet in understanding the entire aspect of an art work. Therefore, it is predicted that the formativeness and the aesthetic consciousness of Andong Hahoe mask will be shared even widely in our lives and culture if researches are constantly conducted by approaching more of the various materials around us.

목차 (Table of Contents)

• Ⅰ. 序論 = 1
• Ⅱ. 理論的 背景 = 3
• 1. 河回탈의 起源 = 3
• 2. 河回탈의 種類 와 特徵 = 5
• Ⅲ. 河回탈의 造形性과 美意識 = 18
• 1. 河回탈의 造形性 = 18
• 1) 河回탈의 形態 = 20
• 2) 河回탈의 色 = 22
• 3) 河回탈의 線 = 23
• 2. 河回탈의 美意識 = 25
• 1) 形態的 意味 = 26
• 2) 抽象的 意味 = 28
• 3) 本質的 意味 = 33
• 3. 河回탈을 應用한 作品 事例 = 36
• Ⅳ. 作品製作 = 41
• 1. 디자인 意圖 = 41
• 2. 作品製作 過程 = 42
• 3. 作品 解說 = 46
• Ⅴ. 結論 = 58
• 참고문헌 = 60