RISS 학술연구정보서비스

검색
다국어 입력

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

변환된 중국어를 복사하여 사용하시면 됩니다.

예시)
  • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
  • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
닫기
    인기검색어 순위 펼치기

    RISS 인기검색어

      KCI등재후보

      略论乾隆敕编金石、 书画鉴藏目录的编纂体式及其对书籍版本目录 的影响——以《秘殿珠林》、 《石渠宝笈》、 《西清古鉴》、 《天禄琳琅书目》等为中心

      한글로보기
      • 내보내기
      • 내책장담기
      • 공유하기
      • 오류접수

      부가정보

      다국어 초록 (Multilingual Abstract)

      On the early stage of Emperor Qianlong period, Qianlong ordered the
      ministers to sort out interior cultural relics. Therefore ministers successively
      compiled four antiques catalogue, they are "Midian Zhulin
      Buddhism and Taoism paintings appreciation", "Shiqu Baoji paintings appreciation",
      "Ancient bronze vessels collection appreciation in Qing Dynasty"
      and "Tianlu Linlang official books collection catalogue appreciation"
      respectively. The stylistic rules and layout of the first two was borrowed
      from Gao Shiqi "Jiang Cun Xiao Xia Lu". The stylistic rules and layout of
      the record of "Ancient bronze vessels collection appreciation in Qing
      Dynasty" was borrowed from Wang Fu "Bo Gu Picture" and Lv Dalin
      "The Archaeological Picture". To a great extent, the stylistic rules and layout
      of "Tianlu Linlang official books collection catalogue appreciation" was
      inherited from the connoisseur ideology of "Shiqu Baoji paintings appreciation"
      and "Ancient bronze vessels collection appreciation in Qing Dynasty",
      which was the evolutionary adaptation of style reference and actual situation
      of books identification and collection. As the classic examples of official
      connoisseur catalogue, "Tianlu Linlang official books collection catalogue
      appreciation" had a significant impact on Qing dynasty bibliography.
      As the development of textology in Qing Dynasty, the connoisseur gradually
      flourished in society. Under its inspiration and influence, the edition
      bibliography of Qing dynasty continued to develop.
      번역하기

      On the early stage of Emperor Qianlong period, Qianlong ordered the ministers to sort out interior cultural relics. Therefore ministers successively compiled four antiques catalogue, they are "Midian Zhulin Buddhism and Taoism paintings appreciatio...

      On the early stage of Emperor Qianlong period, Qianlong ordered the
      ministers to sort out interior cultural relics. Therefore ministers successively
      compiled four antiques catalogue, they are "Midian Zhulin
      Buddhism and Taoism paintings appreciation", "Shiqu Baoji paintings appreciation",
      "Ancient bronze vessels collection appreciation in Qing Dynasty"
      and "Tianlu Linlang official books collection catalogue appreciation"
      respectively. The stylistic rules and layout of the first two was borrowed
      from Gao Shiqi "Jiang Cun Xiao Xia Lu". The stylistic rules and layout of
      the record of "Ancient bronze vessels collection appreciation in Qing
      Dynasty" was borrowed from Wang Fu "Bo Gu Picture" and Lv Dalin
      "The Archaeological Picture". To a great extent, the stylistic rules and layout
      of "Tianlu Linlang official books collection catalogue appreciation" was
      inherited from the connoisseur ideology of "Shiqu Baoji paintings appreciation"
      and "Ancient bronze vessels collection appreciation in Qing Dynasty",
      which was the evolutionary adaptation of style reference and actual situation
      of books identification and collection. As the classic examples of official
      connoisseur catalogue, "Tianlu Linlang official books collection catalogue
      appreciation" had a significant impact on Qing dynasty bibliography.
      As the development of textology in Qing Dynasty, the connoisseur gradually
      flourished in society. Under its inspiration and influence, the edition
      bibliography of Qing dynasty continued to develop.

      더보기

      목차 (Table of Contents)

      • I. 引言
      • II. 三种鉴藏目录的编纂及体例
      • 1. 三书的编纂时间、 纂者与内容
      • 2. 三书的鉴藏性质
      • 3. 三书的鉴藏体例
      • I. 引言
      • II. 三种鉴藏目录的编纂及体例
      • 1. 三书的编纂时间、 纂者与内容
      • 2. 三书的鉴藏性质
      • 3. 三书的鉴藏体例
      • III. 《天禄琳琅书目》 的编纂及其体例渊源
      • 1. 《天禄琳琅书目》 的编纂
      • 2. 《天禄琳琅书目》 的性质与体例
      • 3. 《天禄琳琅书目》 体例的渊源
      • IV. 《天禄琳琅书目》与清代版本学的兴盛
      • 1. 鉴藏目录著录的规范化
      • 2. 《天禄琳琅书目》 的影响
      • V. 结论
      더보기

      참고문헌 (Reference)

      1 钱曾, "读书敏求记" 书目文献出版社 7-, 1983

      2 杨洪升, "略谈乾隆敕编鉴藏目录对<四库>禁毁限制的“违背”——以对钱谦益的禁毁为例" 国家图书馆出版社 7 : 121-127, 2014

      3 中国历史第一档案馆, "乾隆帝起居注" 广西师范大学出版社 2002

      4 沈初, "《西清笔记》卷一“记典故”第九则"

      5 "《西清古鉴》卷首谕旨"

      6 "《秘殿珠林》卷首谕旨"

      7 "《石渠宝笈》卷首谕旨"

      8 弘历敕, "《皇朝文献通考》卷二百二十四"

      9 "《清实录》乾隆六年(1741)正月一日条" 中华书局 2012

      10 "《清实录•乾隆朝》乾隆九年十月二十七日条" 中华书局 2012

      1 钱曾, "读书敏求记" 书目文献出版社 7-, 1983

      2 杨洪升, "略谈乾隆敕编鉴藏目录对<四库>禁毁限制的“违背”——以对钱谦益的禁毁为例" 国家图书馆出版社 7 : 121-127, 2014

      3 中国历史第一档案馆, "乾隆帝起居注" 广西师范大学出版社 2002

      4 沈初, "《西清笔记》卷一“记典故”第九则"

      5 "《西清古鉴》卷首谕旨"

      6 "《秘殿珠林》卷首谕旨"

      7 "《石渠宝笈》卷首谕旨"

      8 弘历敕, "《皇朝文献通考》卷二百二十四"

      9 "《清实录》乾隆六年(1741)正月一日条" 中华书局 2012

      10 "《清实录•乾隆朝》乾隆九年十月二十七日条" 中华书局 2012

      11 弘历, "《御制诗集》四集卷二十五《重华宫茶宴廷臣及内廷翰林等用天禄琳琅联句是日复成二律》"

      12 孙星衍, "《平津馆鉴藏记》卷首自序"

      13 "《天禄琳琅书目》卷首"

      더보기

      동일학술지(권/호) 다른 논문

      동일학술지 더보기

      더보기

      분석정보

      View

      상세정보조회

      0

      Usage

      원문다운로드

      0

      대출신청

      0

      복사신청

      0

      EDDS신청

      0

      동일 주제 내 활용도 TOP

      더보기

      주제

      연도별 연구동향

      연도별 활용동향

      연관논문

      연구자 네트워크맵

      공동연구자 (7)

      유사연구자 (20) 활용도상위20명

      인용정보 인용지수 설명보기

      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2025 평가예정 재인증평가 신청대상 (재인증)
      2022-01-01 평가 등재학술지 선정 (계속평가) KCI등재
      2020-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
      2019-12-01 평가 등재후보 탈락 (계속평가)
      2019-04-11 학회명변경 영문명 : 미등록 -> Culture and Arts Contents Laboratory KCI등재후보
      2017-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
      더보기

      이 자료와 함께 이용한 RISS 자료

      나만을 위한 추천자료

      해외이동버튼