『断腸亭日乗』と江戸浅草 = Ａ study on “Danchotei Nichijo” and Edo Asakusa

다국어 초록 (Multilingual Abstract)

It has writing of "Bokto-Kitan" for reasons of the maximum that a load style came to go to the well of the ball for a while. If only a brothel fronted with a sham sake shop said, Asakusa was the mother"s body of the well of the ball originally. In sorrow of the death of father, it is the load style which wished that I want to move in Asakusa in the case of the residence sale. In a load style, it was the quite natural course that went to the well of the ball which a part of Asakusa moved to in its entirety.
The load style was going to describe the village of the equinoctial week to float rootlessly in a dream in "Bokto-Kitan" which assumed the well of the ball the stage, but there was not the art which granted it only literarily, and it was Asakusa that arrived last without throwing away an ideal on the equinoctial week in the still visionary distance after all. It will be from such a reason that it is said that a load-like "diary" comes over from Asakusa and returns to Asakusa.
After having written "Bokto-Kitan" where a load style assumes the well of the ball the stage again, this point is the inevitability that you had to write the novel which assumed Asakusa the stage again. Asakusa described in "Danchotei Nichijo diary" shows the trace which such an inevitability is formed, and it may be said that "the heart-ripping episode bower diary" is a document having an important meaning at the point.

목차 (Table of Contents)

• 1. はじめに
• 2. 先行研究と問題提起
• 3. 江戸の香り
• 4. 荷風の浅草
• 5. 終わりに
• 参考文献
• 要旨