This paper explores the notion of “placeness” in Richard Greenberg’s play, Three Days of Rain, drawing on the spatial concepts of Yi-Fu Tuan, Edward Relph, and Gaston Bachelard. “Place” is defined as a space imbued with human significance, e...
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다국어 초록 (Multilingual Abstract)
This paper explores the notion of “placeness” in Richard Greenberg’s play, Three Days of Rain, drawing on the spatial concepts of Yi-Fu Tuan, Edward Relph, and Gaston Bachelard. “Place” is defined as a space imbued with human significance, e...
This paper explores the notion of “placeness” in Richard Greenberg’s play, Three Days of Rain, drawing on the spatial concepts of Yi-Fu Tuan, Edward Relph, and Gaston Bachelard. “Place” is defined as a space imbued with human significance, encompassing emotions, experiences, actions, values, knowledge, and creation. “Topophilia” refers to the human attraction toward specific places. The play primarily unfolds in a downtown Manhattan apartment, where the character Walker explores the belongings of his deceased father, Ned, seeking a connection. Preserved there, Ned’s diary holds sentimental value for Walker, who aspires to inherit the house Ned designed: Janeway House. However, I argue that when Janeway House passes to Pip, the son of Ned’s business partner, it becomes a place of “placelessness” for Walker rather than a space of topophilia. (Sungkyul University)
지속가능한 패러다임을 향하여: 에코페미니즘으로 읽어본 새라 룰의 『옆방에서 혹은 바이브레이터 플레이』
Memory and Imagined Truthin Alice Munro’s “The Progress of Love”