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    『비네가 톰』의 노래 전략과 여성역사 다시쓰기 = The Strategic Use of Songs and Rewriting Her-story in Vinegar Tom

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    https://www.riss.kr/link?id=A100665484

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Caryl Churchill is considered a leading British female playwright who has radically and consistently tried to dramatize social issues in the context of history, class, and politics through new and experimental theatrical styles beyond the traditional theatrical forms. As her first socialist feminist play, Vinegar Tom was completed by cooperating with the Monstrous Regiment, a socialist and feminist theatre group, which was mainly interested in the political orientation and theatrical techniques of Bertolt Brecht. The play consists of 21 scenes with 7 songs. The scenes show the past events in which socially and economically deserted women who were condemned as witches under patriarchal social norms. The songs by the female performers in modern dresses interrupt a natural flow of the consequent scenes so as to allegorically criticize the history of women distorted by a male-dominated perspective. The female performers play the roles as both singers and characters. Such crossing roles of singers out of the characters produce the alienation effect by which the audiences are induced on purpose to compare and contrast the past and the present in respect to the oppression of women. The songs containing the feminist themes connect concretely social prejudice and abuse of the witches in the 17th century with the issues of socialist feminism the present women still experience as oppression. The feminist themes that the songs contain are of the female body socially regarded as a tool of reproduction, nonsensical social perspectives on the roles of female gender, and slave-like domestic situation of some married women. The themes of the songs are also expanded into other realms of historical oppression beyond feminist concerns in regard to lunatics, blacks, and Jews. In Vinegar Tom Caryl Churchill progressively tries to rewrite existing history from a feminist perspective by means of the Brechtian techniques of songs accompanying an alienation effect. It is intended for the audiences to reflect on their own past and present conditions in history. As the song lyrics suggest, our awakening alliance will bring about the new vision of social change full of progress and hope by looking into the relationship between individuals and society, and making correction of any historical errors.
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    Caryl Churchill is considered a leading British female playwright who has radically and consistently tried to dramatize social issues in the context of history, class, and politics through new and experimental theatrical styles beyond the traditional ...

    Caryl Churchill is considered a leading British female playwright who has radically and consistently tried to dramatize social issues in the context of history, class, and politics through new and experimental theatrical styles beyond the traditional theatrical forms. As her first socialist feminist play, Vinegar Tom was completed by cooperating with the Monstrous Regiment, a socialist and feminist theatre group, which was mainly interested in the political orientation and theatrical techniques of Bertolt Brecht. The play consists of 21 scenes with 7 songs. The scenes show the past events in which socially and economically deserted women who were condemned as witches under patriarchal social norms. The songs by the female performers in modern dresses interrupt a natural flow of the consequent scenes so as to allegorically criticize the history of women distorted by a male-dominated perspective. The female performers play the roles as both singers and characters. Such crossing roles of singers out of the characters produce the alienation effect by which the audiences are induced on purpose to compare and contrast the past and the present in respect to the oppression of women. The songs containing the feminist themes connect concretely social prejudice and abuse of the witches in the 17th century with the issues of socialist feminism the present women still experience as oppression. The feminist themes that the songs contain are of the female body socially regarded as a tool of reproduction, nonsensical social perspectives on the roles of female gender, and slave-like domestic situation of some married women. The themes of the songs are also expanded into other realms of historical oppression beyond feminist concerns in regard to lunatics, blacks, and Jews. In Vinegar Tom Caryl Churchill progressively tries to rewrite existing history from a feminist perspective by means of the Brechtian techniques of songs accompanying an alienation effect. It is intended for the audiences to reflect on their own past and present conditions in history. As the song lyrics suggest, our awakening alliance will bring about the new vision of social change full of progress and hope by looking into the relationship between individuals and society, and making correction of any historical errors.

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    참고문헌 (Reference)

    1 엥겔스, 프리드리히, "가족, 사유재산 국가의 기원" 도서출판 아침 2005

    2 Neblett, Robert L, "“Nobody Sings About it”: In Defense of the Songs in Caryl Churchill's Vinegar Tom" 14 : 101-122, 2003

    3 DuPlessis, Rachel Blau, "Writing Beyond the Ending: Narrative Strategies of Twentieth-Century Women Writers" Indiana UP 105-122, 1985

    4 Ehrenreich, Babara, "Witches, Midwives, and Nurses : A History of Women Healers" Feminist 1973

    5 Kritzer, Amelia Howe, "The Plays of Caryl Churchill : Theatre of Empowerment" Macmillan 1991

    6 Itzin, Catherine, "Stages in the Revolution : Political Theatre in Britain since 1968" Methuen 1980

    7 Churchill, Caryl, "Plays : One" Methuen 1985

    8 Kritzer, Amelia Howe, "Open-Ended Inquires : the Plays of Caryl Churchill" U of Wisconsin P 1988

    9 Reinelt, Janelle, "On feminist and sexual politics"

    10 Innes, Christopher, "Modern British Drama The Twentieth Century" Cambridge UP 2002

    1 엥겔스, 프리드리히, "가족, 사유재산 국가의 기원" 도서출판 아침 2005

    2 Neblett, Robert L, "“Nobody Sings About it”: In Defense of the Songs in Caryl Churchill's Vinegar Tom" 14 : 101-122, 2003

    3 DuPlessis, Rachel Blau, "Writing Beyond the Ending: Narrative Strategies of Twentieth-Century Women Writers" Indiana UP 105-122, 1985

    4 Ehrenreich, Babara, "Witches, Midwives, and Nurses : A History of Women Healers" Feminist 1973

    5 Kritzer, Amelia Howe, "The Plays of Caryl Churchill : Theatre of Empowerment" Macmillan 1991

    6 Itzin, Catherine, "Stages in the Revolution : Political Theatre in Britain since 1968" Methuen 1980

    7 Churchill, Caryl, "Plays : One" Methuen 1985

    8 Kritzer, Amelia Howe, "Open-Ended Inquires : the Plays of Caryl Churchill" U of Wisconsin P 1988

    9 Reinelt, Janelle, "On feminist and sexual politics"

    10 Innes, Christopher, "Modern British Drama The Twentieth Century" Cambridge UP 2002

    11 Rowbotham, Sheila, "Hidden from History : 300 Years of Women's Oppression and the Fight Against It" Pluto 1973

    12 Fitzsimmons, Linda, "File on Churchill" Methuen 1989

    13 Keyssar, Helene, "Feminist Theatre" Macmillan 1984

    14 Weedon, Chris, "Feminist Practice & Poststructuralist" Blackwell 1977

    15 Hanna, Gillian, "Feminism and Theatre" 8 : 9-11, 1978

    16 Reza Modarres Zadeh, M., "Caryl Churchill's Vinegar Tom: Beyond Feminism?" 4 (4): 310-316, 2013

    17 Aston, Elaine, "Caryl Churchill" Northcote 1997

    18 Aston, Elain, "Cambridge Companion to Caryl Churchill" Cambridge UP 2009

    19 Bertolt, Brecht, "Brecht on Theatre: The Development of an Aesthetic" Hill and Wang 1992

    20 Reinelt, Janelle, "Beyond Brecht: Britain's New Feminist Drama" 38 (38): 154-163, 1986

    21 Russell, Burton Jeffrey, "A History of Witchcraft" Thomas & Hudson 1980

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    2007-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
    2005-06-29 학회명변경 한글명 : 21영어영문학회 -> 21세기영어영문학회
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    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.25 0.25 0.25
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.26 0.25 0.49 0.07
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