The aim of this paper is to inspect closely the exotic idea and genre of Joseon Dynasty's popular. It has been generally known that Joseon Dynasty's people had not been kept in touch with westerner by Hendrik Hamel's drifting to Joseon. That is 1653 y...
The aim of this paper is to inspect closely the exotic idea and genre of Joseon Dynasty's popular. It has been generally known that Joseon Dynasty's people had not been kept in touch with westerner by Hendrik Hamel's drifting to Joseon. That is 1653 year when he was drifted Jeju Island. But a new historical evidence could be found. Because some westerners who wore a frilly clothes in 1591's amrita painting. Mostly Joseon Dynasty's buddhist painting had been was connected with the culture of the mass of the people, therefore we could think a possibility which the westerner's visit came more earlier than the early of 17th century. The amrita painting is Korea's characteristic arts. Besides many traditional culture and popular things were described in the amrita painting of the late Joseon Dynasty. The hell was expressed pleasantry in the amrita painting of the late Joseon Dynasty. There are many Korean which were worn korean traditional clothes and played some folk games as if they went shopping in market places. Any scares and horrors were not founded. That is very interesting sights. Between 16th century and 19th century in amrita painting the difference was rich in popular and vitality of the masses.