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      조선시대 민중의 이국관과 풍속상 - 지옥계불화 감로탱화를 중심으로 -

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      https://www.riss.kr/link?id=A82506384

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      다국어 초록 (Multilingual Abstract)

      The aim of this paper is to inspect closely the exotic idea and genre of Joseon Dynasty's popular. It has been generally known that Joseon Dynasty's people had not been kept in touch with westerner by Hendrik Hamel's drifting to Joseon. That is 1653 year when he was drifted Jeju Island. But a new historical evidence could be found. Because some westerners who wore a frilly clothes in 1591's amrita painting. Mostly Joseon Dynasty's buddhist painting had been was connected with the culture of the mass of the people, therefore we could think a possibility which the westerner's visit came more earlier than the early of 17th century. The amrita painting is Korea's characteristic arts. Besides many traditional culture and popular things were described in the amrita painting of the late Joseon Dynasty. The hell was expressed pleasantry in the amrita painting of the late Joseon Dynasty. There are many Korean which were worn korean traditional clothes and played some folk games as if they went shopping in market places. Any scares and horrors were not founded. That is very interesting sights. Between 16th century and 19th century in amrita painting the difference was rich in popular and vitality of the masses.
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      The aim of this paper is to inspect closely the exotic idea and genre of Joseon Dynasty's popular. It has been generally known that Joseon Dynasty's people had not been kept in touch with westerner by Hendrik Hamel's drifting to Joseon. That is 1653 y...

      The aim of this paper is to inspect closely the exotic idea and genre of Joseon Dynasty's popular. It has been generally known that Joseon Dynasty's people had not been kept in touch with westerner by Hendrik Hamel's drifting to Joseon. That is 1653 year when he was drifted Jeju Island. But a new historical evidence could be found. Because some westerners who wore a frilly clothes in 1591's amrita painting. Mostly Joseon Dynasty's buddhist painting had been was connected with the culture of the mass of the people, therefore we could think a possibility which the westerner's visit came more earlier than the early of 17th century. The amrita painting is Korea's characteristic arts. Besides many traditional culture and popular things were described in the amrita painting of the late Joseon Dynasty. The hell was expressed pleasantry in the amrita painting of the late Joseon Dynasty. There are many Korean which were worn korean traditional clothes and played some folk games as if they went shopping in market places. Any scares and horrors were not founded. That is very interesting sights. Between 16th century and 19th century in amrita painting the difference was rich in popular and vitality of the masses.

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      목차 (Table of Contents)

      • Ⅰ. 머리말
      • Ⅱ. 조선시대 불화개관
      • Ⅲ. 감로탱화의 이국관과 풍속상
      • 1. 감로탱화 개관
      • 2. 조선전기 감로탱화의 이국관
      • Ⅰ. 머리말
      • Ⅱ. 조선시대 불화개관
      • Ⅲ. 감로탱화의 이국관과 풍속상
      • 1. 감로탱화 개관
      • 2. 조선전기 감로탱화의 이국관
      • 3. 조선후기 감로탱화의 풍속상
      • Ⅳ. 맺음말
      • 참고문헌
      • 논문초록
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