한국 영화의 시나리오 작성 표준안 마련을 위한 연구

다국어 초록 (Multilingual Abstract)

As the Korean film industry keeps moving forward in quality and in quantity, the whole world wanders how we could achieve such a marvelous success in a relatively short period of time. If we want more success and better result in many parts in film industry, standardization is one of the prior thing we should consider. We have been making dozens of feature length films a year continuously, but each film has its own procedures and production system which are not compatible with other films.
In terms of motion picture script, I have seen hundreds of different ways of script writing format. if I see ten different scripts, then there are ten different ways of script writing. An experienced producer and a well known film director read the same movie script, and then the two people assume the length of the film differently. The same script can be measured even by experienced filmmakers because each script uses its own ways of writing format. The director or the producer predicts the film they just read will be 90 minutes. If you ask them how they figure out the length of film, they probably answer that they assumed it by their hunch that came from their experience or they may say it just seemed to be that length.
The filmmaking process should be science based and objectively provable. If a group of experienced filmmakers read the same script, then they should predict the same length of completed film with only acceptable range of extent. In Hollywood, they created a certain way of script writing. If you follow the rules and regulations of the format, each page can be calculated as one minute. This simple calculation that one page is one minute is based on very scientific and objective experiments. It has been used by a novice filmmaker to Steven Spielberg.
In this study and research, I would like to examine scripts and films that have been produced in Korea and United States, and I hope I could figure out a way to write a Korean motion picture script that can be calculated the length in agreeable range of extent. To find the way, I selected ten Korean films and their script that have been produced and released after 2000. I also checked a few American films and script distributed in Korea. If this result could be a little help refining the format of Korean films, this would be a meaningful research.

목차 (Table of Contents)

• 1. 서론
• 2. 본론
• 3. 결론
• 참고문헌
• Abstract

참고문헌 (Reference)

1 장민석, "우리들의 행복한 시간" LJ 필름 2006

2 크리스토퍼 보글러, "신화, 영웅, 그리고 시나리오 쓰기" 무우수 2005

3 정지우, "시네마서비스" 2005

4 시드 필드, "시나리오란 무엇인가" 민음사 1992

5 로버트 맥기, "시나리오 어떻게 쓸 것인가" 황금가지 2002

6 벤 브래디, "시나리오 속의 시나리오" 시공사 2004

7 린다 카우길, "시나리오 구조의 비밀" 시공아트 2003

8 전계수, "삼거리 극장" LJ 필름 2006

9 김은숙, "사랑하니까, 괜찮아" 호스텍 글로벌, 씨앤필름 2006

10 최진원, "미스터 소크라테스" 커리지 필름, 오죤 필름 2005

11 윌리엄 필립스, "단편영화 시나리오 이렇게 쓴다" 교보문고 2001

12 최진성, "다세포 소녀" 영화세상 2006

13 장재영, "귀신이 산다" 시네마서비스 2006

14 성기영, "가족의 탄생" 블루스톰 2006

15 Pat Cooper, "Writing the Short Film" Focal Press 2005

16 David Trottier, "The Screenwriter's Bible" Silman-James Press 1998

17 "The Complete Idiot's Guide to Screenwriting" Skip Press 2004

18 Stephen King, "Shawshank Redemption" Columbia 1995

19 Quentin Tarantino, "Reservoir Dogs" Live Entertainment 1996