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      제인 오스틴과 "정숙한 귀부인" = Jane Austen and "The Proper Lady"

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      https://www.riss.kr/link?id=A82604652

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      다국어 초록 (Multilingual Abstract)

      This articles analyses the two works of Jane Austen, Sense and Sensibility and Emma, and their three films from the perspective of "the Proper Lady", which is the social decorum demanded to the 18th-century and the 19th-century women. Austen`s ideal vision is "the Proper Lady" for whom Austen puts more emphasis on the sense than sensibility. For instance, Elinor`s sense is highly esteemed than sensibility of the impulsive Marianne in Sense and Sensibility, and Emma becomes an intellectual and altruistic "the Proper Lady" through her self-awakening. However, Austen`s unconscious attraction to sensibility is suggested in her two works, and sensibility is put to the foreground more strongly in the three films; the proportion of sensibility in the three films is more heightened than in the original texts. As a result, it becomes necessary to view Austen`s position from Austen`s first work, Sense and Sensibility to her final work, Persuasion from the larger perspective. Austen becomes to put on emphasis on sense soaked with sensibility through Anne`s choice in Persuasion, though she emphasized more sense than sensibility as a condition of "the Proper Lady" despite her favor to sensibility in her early two works. This change of "the Proper Lady" can be interpreted as Austen`s development in her feminist consciousness. Elinor, Marianne, and Emma, seems to be on the way to the maturer, more open and widened "the Proper Lady" of Anne. Here we can guess the cultural topography in the 19th-century English society, as "the Proper Lady" is a product of the contemporary sexual ideology that oppresses the intense passion and excessive sensibility of women as dangerous ones.
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      This articles analyses the two works of Jane Austen, Sense and Sensibility and Emma, and their three films from the perspective of "the Proper Lady", which is the social decorum demanded to the 18th-century and the 19th-century women. Austen`s ideal v...

      This articles analyses the two works of Jane Austen, Sense and Sensibility and Emma, and their three films from the perspective of "the Proper Lady", which is the social decorum demanded to the 18th-century and the 19th-century women. Austen`s ideal vision is "the Proper Lady" for whom Austen puts more emphasis on the sense than sensibility. For instance, Elinor`s sense is highly esteemed than sensibility of the impulsive Marianne in Sense and Sensibility, and Emma becomes an intellectual and altruistic "the Proper Lady" through her self-awakening. However, Austen`s unconscious attraction to sensibility is suggested in her two works, and sensibility is put to the foreground more strongly in the three films; the proportion of sensibility in the three films is more heightened than in the original texts. As a result, it becomes necessary to view Austen`s position from Austen`s first work, Sense and Sensibility to her final work, Persuasion from the larger perspective. Austen becomes to put on emphasis on sense soaked with sensibility through Anne`s choice in Persuasion, though she emphasized more sense than sensibility as a condition of "the Proper Lady" despite her favor to sensibility in her early two works. This change of "the Proper Lady" can be interpreted as Austen`s development in her feminist consciousness. Elinor, Marianne, and Emma, seems to be on the way to the maturer, more open and widened "the Proper Lady" of Anne. Here we can guess the cultural topography in the 19th-century English society, as "the Proper Lady" is a product of the contemporary sexual ideology that oppresses the intense passion and excessive sensibility of women as dangerous ones.

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2008-06-04 학회명변경 영문명 : The Korean Society Of British And American Fiction To 1900 -> The Korean Society of British and American Fiction KCI등재
      2008-05-29 학술지명변경 외국어명 : The British and American Novel -> British and American Fiction KCI등재
      2008-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2006-01-24 학술지명변경 외국어명 : British and American Fiction to 1900 -> The British and American Novel KCI등재
      2005-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2004-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2003-01-01 평가 등재후보학술지 유지 (등재후보2차) KCI등재후보
      2002-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2000-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.24 0.24 0.21
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.2 0.17 0.758 0.17
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