Taejoon Lee was born in 1904, and published his "O-Mong-Nyeo" in 1925 when he was 22 years old. He continued his activities of writing until he was driven to the North Korean in 1946. Nothing of him has, so far, been known to us but that he ...
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다국어 초록 (Multilingual Abstract)
Taejoon Lee was born in 1904, and published his "O-Mong-Nyeo" in 1925 when he was 22 years old. He continued his activities of writing until he was driven to the North Korean in 1946. Nothing of him has, so far, been known to us but that he ...
Taejoon Lee was born in 1904, and published his "O-Mong-Nyeo" in 1925 when he was 22 years old. He continued his activities of writing until he was driven to the North Korean in 1946. Nothing of him has, so far, been known to us but that he was liquidated in 1955. While he was staying in the South, he published many stories of the pure literature, organizing the well-known Nine Members of Writers with Hyo-Suck Lee and some other contemporaries.
After Taejoon Lee was gone to the North, we were prohibited to study his literature until in 1988 we came to be free to study his life and novels. In this study, I have closely surveyed his circumstances of writing his stories in order that I can evaluate the lyric aspects of his novels.
His childhood was so poor that his life would never be so lyric or romantic. He was an orphan; his father was dead when he was six, and his mother when he was nine. Through his mother's Confucian education he could get the close emotion in the family, and his grandmother on the mother's side had the human faithful tenderness toward him, which made up the lyricness in his personality. When he was an active writer, we were under the oppression of the tyranical Japan. So he had the two choices of being aggressive in his expression of feeling, or being a rhetorical flourish of indirect expression. The way of indirectness he chose was one of the reasons why he became so famous a lyric writer.
Many of his stories were based on the lyric lives of the common people. In the beginning of his career they are centered upon the love of young people, and in the middle on the human kindness of the people. We can find out the obvious lyric aspects in some of his stories; "The Moony Night," "The Crown" "Woo-Am the Old Man" "Son the Wealthy" "The Railroad" "The Twilight A-Ryun". Especially the lyricness of "A-Ryun" is well comparable with some famous stories of Hyo-Suck Lee, You-Jung Kim, Soon-Won Whang, etc.
In the story of "A-Ryun," the mid-aged man and wife found the cast away baby in his doorway, sent him to the orphan asylum, and finally accepted him as a step child. Of course we can guess out some significent difficulties in the process of adopting, all of them were never mentioned in the story and the beautiful aspects of the ethical lyricness was expressed in the story.
There are some stories which, even in the form of epic story, would successfully express the lyrical beauty, of which "A-ryun" is abreast of Hyo-Suck's "Time of Buckwheat Blooming" and You-Jung's "The Camelia Flower". The most characteristic feature of them is the lyricalization of the human kindness and the ethical values in the human mind.
목차 (Table of Contents)
Universe of Culture in Language
D.H. Lawrence의 소설에 미친 Thomas Hardy의 영향