L. v. Beethoven Piano Sonata의 주제연구 : 순환형식 Sonata를 중심으로 especially the cycle form of sonata = Researches in the themes of L.v.Beethoven's piano sonatas

다국어 초록 (Multilingual Abstract)

His compositional style is not the arrangement of beautiful musical idea or the emotional adhesion but the assembling and perfect organization. Concretely, the cycle form that is based on logical sense, rigorous organization, consistency, the organic formation is used for piano sonatas. The characteristics of the works that are written by the cycle form and the motive of his all sonatas are as follows;
1. No.1 - The cycle form by 6th interval.
2. No.5 - The cycle motive by 6th, broken chord motive, 2th descending scale progression motive and cycle form.
3. No.7 - Descending scale motive and the cycle form of ascending scale motive.
4. No.8 - The motive of long notes, 3rd ascending scale progression and the cycle form by 2nd descending progression.
5. No.14 - 4th descending scale motive which includes double auxiliary chord, the repetition of common notes in dominant and motive which includes 5th descending progression.
6. No.23 - Arpeggio motive consisted of 3 notes, the motive of C-D-C notes including upper auxiliary chord, the motive conjunct descending progression above the third like C-E-D-C notes, and the cycle form by knocking motive.

목차 (Table of Contents)

• Ⅰ. 서론
• Ⅱ. 본론
• 1. 피아노 소나타의 악장구조
• 2. 피아노 소나타의 주제구성 원리
• 1) 주제를 구성하는 통일성과 대립요소
• 2) 축소, 확대와 팽창의 원리
• 3) 양 주제의 대비원리
• 4) 전 악장을 지배하는 핵 동기의 원리
• 3. 순환형식 소나타의 주제연구
• 1)No.1 op.2-1
• 2)No.5 op.10-1
• 3)No.7 op.10-3
• 4)No.8 op.13
• 5)No.14 op.27-2
• 6)No.23 op.57
• Ⅲ. 결론
• 참고문헌
• Abstract