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      해방기 부산의 극장과 연극공간 = Theaters and Theatrical Spaces in Busan During the Liberation Period

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      https://www.riss.kr/link?id=A109627960

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      This study examines the theatrical conditions of theater in Busan during the liberation period. This was explored by analyzing the characteristics, management, and operational systems of theaters as theater venues in Busan during that time. Through this analysis, it sheds light on the state of the Busan theater scene from a theatrical history perspective. After liberation, theaters in Busan not only continued efforts to establish a foundation for national culture and arts but also served as performance spaces and public sphere. They functioned as hubs for local stage art movements, centers for the production and planning of cultural and artistic content, and bases for the operation of artistic troupes, responding to the demands of the time in various ways. Challenges such as the struggle against lowbrow commercial performances, improvements in theater facilities, and the appointment of theater managers were key issues raised by the local community, ultimately contributing to the formation and development of the regional artistic ecosystem. This study provides insights into the environment for theatrical creation and appreciation, complementing and expanding the understanding of Busan’s theater history.
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      This study examines the theatrical conditions of theater in Busan during the liberation period. This was explored by analyzing the characteristics, management, and operational systems of theaters as theater venues in Busan during that time. Through th...

      This study examines the theatrical conditions of theater in Busan during the liberation period. This was explored by analyzing the characteristics, management, and operational systems of theaters as theater venues in Busan during that time. Through this analysis, it sheds light on the state of the Busan theater scene from a theatrical history perspective. After liberation, theaters in Busan not only continued efforts to establish a foundation for national culture and arts but also served as performance spaces and public sphere. They functioned as hubs for local stage art movements, centers for the production and planning of cultural and artistic content, and bases for the operation of artistic troupes, responding to the demands of the time in various ways. Challenges such as the struggle against lowbrow commercial performances, improvements in theater facilities, and the appointment of theater managers were key issues raised by the local community, ultimately contributing to the formation and development of the regional artistic ecosystem. This study provides insights into the environment for theatrical creation and appreciation, complementing and expanding the understanding of Busan’s theater history.

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